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    Table of Contents
Christmas Postal Note--Bob Laub
Incredible F.U.N. '26 Exhibit
National Banks that only Issued Aldrich-Vreeland Currency--Peter Huntoon
New Grant-Sherman Specimen Varieties Discovered--R. Melamed & R. Kravitz
Cervanteras--Stephen Russell
The Georgia Weekly Notes--Charles Derby
Alabama Patton Certificates--David Hollander
Good Faith Finance--Peter Longini
Excelsior Bank Note Company--Roland Rollins
Statement of Ownership
          official journal of 
#1 FUN Exhibit & 
Christmas Postal Note
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Featured Highlights
Auction Dates: November 10-14 & 17-18, 2025 • Costa Mesa, CA
The Official Auction of the Whitman Expos
Fr. 96. 1869 $10 Legal Tender Note. 
PCGS Banknote Gem Uncirculated 66 PPQ.
Fr. 119. 1901 $10 Legal Tender Note.  
PCGS Banknote Superb Gem Uncirculated 67 PPQ.
Fr. 126b. 1863 $20 Legal Tender Note. 
PCGS Banknote Choice About Uncirculated 58 PPQ.
Fr. 342. 1880 $100 Silver Certificate of Deposit. 
PCGS Banknote About Uncirculated 50.
Fr. 1180. 1905 $20 Gold Certificate. 
PCGS Banknote About Uncirculated 53 PPQ.
Fr. 341. 1880 $100 Silver Certificate of Deposit. 
PCGS Banknote About Uncirculated 53.
Fr. 831. 1918 $50 Federal Reserve Bank Note. St. Louis. 
PCGS Banknote Choice Uncirculated 63.
Fr. 1700. 1933 $10 Silver Certificate. 
PCGS Banknote Choice Uncirculated 63 PPQ.
333  Christmas Postal Note--Bob Laub
336  Incredible F.U.N. '26 Exhibit
339 National Banks that only Issued Aldrich-Vreeland Currency--Peter Huntoon
347  New Grant-Sherman Specimen Varieties Discovered--R. Melamed & R. Kravitz
354  Cervanteras--Stephen Russell
358  The Georgia Weekly  Notes--Charles Derby 
375  Alabama Patton Certificates--David Hollander
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
328
345  Good Faith Finance--Peter Longini
379  Excelsior Bank Note Company--Roland Rollins
394  Statement of Ownership
Columns 
Advertisers 
SPMC Hall of Fame 
The SPMC Hall of Fame recognizes and honors those individuals who 
have made a lasting contribution to the society over the span of many years. 
Charles Affleck 
Walter Allan 
Mark Anderson
Doug Ball
Hank Bieciuk
Joseph Boling
F.C.C. Boyd
Michael Crabb
Forrest Daniel
Martin Delger
William Donlon
Roger Durand
C. John Ferreri
Milt Friedberg
Robert Friedberg
Len Glazer 
Nathan Gold 
Nathan Goldstein
Albert Grinnell 
James Haxby 
John Herzog 
Gene Hessler 
John Hickman 
William Higgins 
Ruth Hill    
Peter Huntoon 
Brent Hughes 
Glenn Jackson
Don Kelly 
Lyn Knight Chet 
Krause
Robert Medlar 
Allen Mincho 
Clifford Mishler 
Barbara Mueller 
Judith Murphy 
Dean Oakes
Chuck O'Donnell
Roy Pennell
Albert Pick
Fred Reed
Matt Rothert
John Rowe III
From Your President 
Editor Sez  
New Members 
Uncoupled  
Small Notes
Chump Change
Foreign Affairs
Cherry Picker Corner 
Quartermaster     
Robert Calderman   330       
Benny Bolin     331
Frank Clark     332   
Joe Boling & Fred Schwan   369
Jamie Yakes    383
Loren Gatch   384
Dennis Hengeveld  385
Robert Calderman     387
Michael McNeil            390
Stacks Bowers Galleries IFC 
Pierre Fricke     328
Bob Laub   335
Executive Currency  343
Lyn Knight   344
Higgins Museum  346
FCCB    348
Whitman Publishing  357   
Greysheet    368                   
D. Schafluetzel  368
PCGS-C  374
William Litt  378
G. Anderson  378 
PCDA             IBC
Heritage Auctions   OBC
Fred Schwan
Neil Shafer
Herb& Martha Schingoethe 
Austin Sheheen, Jr.
Hugh Shull
Glenn Smedley
Raphael Thian
Daniel Valentine
Louis Van Belkum
George Wait
John & Nancy Wilson 
D.C. Wismer
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
329
Officers & Appointees 
ELECTED OFFICERS
PRESIDENT Robert Calderman
gacoins@earthlink.net
VICE-PRES      William Litt
billitt@aol.com
TREASURER              Robert Moon
robertmoon@aol.com
BOARD OF GOVERNORS
APPOINTEES
PUBLISHER-EDITOR-ADVERTISING MANAGER
Benny Bolin                               smcbb@sbcglobal.net  
Megan Reginnitter       mreginnitter@iowafirm.com
LIBRARIAN
Jeff Bruggeman jeff@actioncurrency.com 
MEMBERSHIP DIRECTOR
Frank Clark
IMMEDIATE PAST PRESIDENT
Robert Vandevendert
WISMER BOOK PROJECT COORDINATOR
Pierre Fricke
From Your President 
Robert CaldermanFrom Your President 
Shawn Hewitt 
We’re excited to announce the details of our second annual
Florida United Numismatists (FUN) Speakers Forum. In the fashion of our
inaugural seminar last year, we’ll again have a total of five speakers making
presentations, and close out the forum with our SPMC membership meeting on
Saturday morning.
The dates of the FUN convention are January 9-12, 2020 at the Orange
County Convention Center, West Building WA1 & WA2, in Orlando, Florida. The 
first four talks are on Friday,  January 10 in Room 304F (same as last year). 
Here is the lineup… - "The Current 
Status of the U. S. Small Size Paper Money Market".  – Mr. Calderman, a 
specialist and dealer in U. S. small-size type notes will discuss the current  
trends in small size notes and the future of this paper money specialty.
- "A Behind the Scenes Look at the Paper
Money Auction Process"–Mr. Johnston, the  Vice- President and Managing 
Director of the Currency Division at Heritage Auctions will discuss the nuts-
and-bolts of conducting a major Paper Money auction. 
"An Overview  of the 
Confederate Paper Money  Market"  . 
Mr. Fricke has been a long-time dealer in Confederate Paper Money and is  the 
author of  the standard reference on Confederate Paper Money "Collecting 
Confederate Paper Money: The Standard Guide to Confederate Money".
"The good, the bad, and the ugly of
antebellum bank note fraud" – Various types of pre-Civil War bank note fraud
will be explored and illustrated. 
In addition, at the SPMC Membership Meeting (open to all) on 
Saturday at 8:30am in Room 303B we have: - "Overview 
of the SPMC Bank Note History Project" - This project is focused on two of 
the primary historical aspects of the "Hometown" National Bank Notes - the 
Banks who issued them and the bankers who signed them. 
I think we’re onto a good thing in making FUN another major venue for 
the face of SPMC. Our table will be 867 in the club section of the bourse floor,
so please stop by. Again, this year, we are participating in the ANA Treasure
Trivia Program, which is a great outreach to the youth of our hobby. We have
some very nice world notes to hand out (to young numismatists) as souvenirs 
for visiting our table. 
Before I go, I should mention that we have a new Membership Secretary.
Robert Calderman, one of our board members, has stepped up to fill the position 
recently vacated by Jeff Brueggeman. If you frequent the major shows, you 
may have seen Robert at one of our club tables. Robert is great resource for the 
Society, and we very much appreciate the work he does for us. 
Paper Money * July/August 2020
6
LEGAL COUNSEL
Robert Calderman                gacoins@earthlink.com
Matt Drais         stockpicker12@aol.com
Mark Drengson              markd@step1software.com
Loren Gatch             lgatch@uco.edu
Shawn Hewitt                 Shawn@north-trek.com
Derek Higgins    derekhiggins219@gmail.com
Raiden Honaker       raidenhonaker8@gmail.com
William Litt 
Cody Regennitter 
billitt@aol.com 
      cody.regenitter@gmail.com 
rman andrew.timmerman@aol.comAndrew Timme
Wendell Wolka purduenut@aol.com
frank_clark@yahoo.com
Fellow members of our phenomenal Society of Paper Money 
Collectors, I am overwhelmingly honored and thankful to serve as your 
newest SPMC Presi ent! At the recent ANA Summer Show i  Oklahoma 
City that took place back in August, we officially voted in our new line up
of SPMC Officers during our early morning b ard meeting. Myself as 
your new President, our new Vice President Bill Litt, new Secretary Derek 
Higgins, and the illustrious Bob Moon has been retained as your 
Treasurer. I want to thank our outgoing President Robert Vandevender II 
for his adept leadership of our society over the past four years. Wildly 
after nearly six years, the balance of power (For lack of a better phrase) 
has now finally shifted away from all four of our officer positions being 
held enti ely by Bob’s! Going forward, we can now comfortably reside at a 
much less intense 50% Bob rate, ha!
 For those of you who have not met me in person, I am a dedicated, 
arguably obsessed, dealer-collector that can be found regularly set up at 
over fifty numismatic trade shows throughout the year. In fact, for 2025 I 
somehow have sixty-two shows scheduled for a year that contains only 
fifty-two weeks on th  ca e dar. By s tti g up at sep rate -day 
Saturday and Sunday shows in ntir ly differ nt states that happen t  fall 
on the same weekend, this seemingly impossible quantity of annual shows 
can actually be accomplished without the use of Star Trek Transporter 
technology. However, I do not recommend this level of coin show 
intensity for everyone. The travel logistics for this volume of shows can 
very politely be labeled obscene!
So what does the future hold for our Society of Paper Money 
Collectors? Lately, membership has been on a n ticeable up ck, which is 
very exciting news to report! At nearly every show I have attended this 
year, I have spoken with someone who was attending their very first show 
ever. Some of whom also purchased their very first collectible banknote! 
For the naysayers that claim our hobby is dying out, I see the opposite 
taking place… you just have to know where to look! While we are setting 
our sights forward, the 2026 FUN show will soon be here in the blink of 
an eye and our annual SPMC me ting is most definitely a highlig t and 
great opportunity for camaraderie a ongst your fellow c llecting 
brethren. If you have not attended before, I urge you to make plans to 
make the trip this upcoming January! Our SPMC Breakfast featuring the 
ever popular Tom Bain Raffle is an absolute blast and you may find 
yourself winning a handful of great prizes while you rub your eyes and sip 
your morning coffee.  While I often still reminisce on fond memories of 
past years spent at the Memphis IPMS, the past few Orlando FUN shows 
have quickly taken shape creating newfound paper money memories! As 
a dedicated collector, you also deserve to get in on the good times and be 
there in person with us!
derekhiggins219@gmail.com
  
SECRETARY          Derek Higgins
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
330
Terms and Conditions 
The Society  of  Paper Money  Collectors  (SPMC)  P.O.   Box 7055, 
Gainesville, GA    30504, publishes    PAPER    MONEY (USPS   00‐
3162)  every  other  month  beginning  in  January.  Periodical 
postage  is  paid  at  Hanover,  PA.  Postmaster  send  address 
changes  to  Secretary  Robert  Calderman,  Box  7055, Gainesville, 
GA  30504. ©Society  of  Paper Money  Collectors, Inc.  2020.  All 
rights  reserved.  Reproduction  of  any  article  in whole  or  part 
without written approval  is prohibited.  Individual copies of  this 
issue of PAPER MONEY are available  from the secretary  for $8 
postpaid. Send changes of address, inquiries concerning    non    ‐   
delivery    and    requests    for    additional copies of this issue to 
the secretary. 
MANUSCRIPTS 
Manuscripts     not     under      consideration      elsewhere and 
publications  for  review should be sent  to  the editor. Accepted 
manuscripts  will  be  published  as  soon  as  possible,  however 
publication  in  a  specific  issue  cannot  be guaranteed. Opinions 
expressed  by  authors  do  not necessarily  reflect those  of  the 
SPMC.   Manuscripts should be  submitted  in WORD  format  via 
email (smcbb@sbcglobal.net)  or  by  sending memory stick/disk 
to  the  editor.  Scans  should  be  grayscale  or  color  JPEGs  at 
300 dpi. Color  illustrations may be changed to grayscale at  the 
discretion  of  the  editor.  Do  not  send  items  of  value. 
Manuscripts are  submitted with copyright release of the author 
to  the  editor  for  duplication  and  printing as needed. 
ADVERTISING 
All advertising on space available basis. Copy/correspondence 
should be sent to editor. 
All advertising is pay in advance.  Ads are on a “good faith” 
basis.  Terms are “Until Forbid.” 
Ads  are  Run  of  Press  (ROP)  unless  accepted  on  a  premium 
contract basis. Limited premium space/rates available. 
To keep rates to a minimum, all advertising must be prepaid 
according to the schedule below.  In exceptional cases where 
special  artwork  or  additional  production  is  required,  the 
advertiser  will be notified  and  billed accordingly.  Rates  are 
not commissionable; proofs are not  supplied.  SPMC  does not 
endorse any company, dealer,  or  auction  house.  Advertising 
Deadline: Subject to space availability, copy must be received 
by  the  editor  no  later  than  the  first  day  of  the  month 
preceding  the  cover date  of  the  issue  (i.e.  Feb.  1  for  the 
March/April  issue). Camera‐ready art or electronic ads  in pdf 
format are required. 
ADVERTISING RATES 
Editor Sez 
Benny Bolin 
Required file    submission format    is    composite    PDF v1.3 
(Acrobat 4.0   compatible).   If   possible, submitted files should 
conform to ISO 15930‐1: 2001 PDF/X‐1a file format standard. 
Non‐  standard,  application,  or  native  file  formats  are  not 
acceptable. Page  size: must  conform to specified publication 
trim  size.  Page  bleed:  must  extend minimum  1/8”  beyond 
trim for page head, foot, and front.  Safety margin:  type  and 
other  non‐bleed  content must  clear  trim by minimum 1/2”.  
Advertising c o p y   shall be restricted to paper currency, allied 
numismatic material, publications,   and   related   accessories.   
The SPMC  does  not  guarantee advertisements,  but  accepts 
copy  in good faith,  reserving  the right  to  reject objectionable 
or  inappropriate  material  or  edit      copy.  The          SPMC  
assumes      no      financial       responsibility for  typographical 
errors  in  ads  but  agrees  to  reprint  that portion of an ad  in 
which a typographical error occurs. 
Benny (aka goompa)
Space 
Full color covers 
1 Time 
$1500 
3 Times 
$2600 
6 Times
$4900
B&W covers  500  1400  2500
Full page color  500  1500  3000
Full page B&W  360  1000  1800
Half‐page B&W  180  500  900
Quarter‐page B&W  90  250  450
Eighth‐page B&W  45  125  225
She is 14 months and walking actually running and getting 
into everything! I have had to baby-proof my house with 
nothing breakable under 3ft. But what a joy she is. 
Summer is winding down in Texas--at least that is what the 
weatherman says.  It is nice in the morning and night but still 
in the 90's during the day. Oh well, soon I will be wishing for 
these warmer days. 
It also seems the numismatic market is still hot, hot, hot! I 
fulfilled a life long dream when I not only attended the 
summer ANA in OKC, but exhibited there as well. I did a one 
case exhibit on Spencer C. and a 7 caser on Fractional 
Currency Literature. I took second on both. I have always 
wanted to exhibit at ANA but it always fell when I was 
working. Kicked that one off my bucket list. I probably won't 
do it again unless ANA removed the requirement to be there 
Tues-Sat. Just too long if you are alone and only exhibiting. I 
did man the SPMC table quite a bit and delivered the 
educational session at the SPMC meeting which was surprising 
well attended. Wendell Wolka developed the program on the 
"Currency of the Five Civilized Tribes." We also elected new 
officers at the meeting. Robert Calderman is the new president, 
William Litt the new VP and Derek Higgins the new secretary. 
Congrats (or condolences) to these three. I am sure they will do an 
exceptional job!
We also found out that the 2026 FUN show will have the 
theme "Paper Money-Portraits of History." We need to have a 
strong showing and some good exhibits showing those FUN 
people what paper is all about. We have an exception exhibit 
that I am really looking forward to. Bob Moon is presenting a 
28-30 case exhibit showcasing his SN#1 New York nationals 
(more on this later in the issue.) I am also doing a 4-5 caser 
that ties well to the theme. I am also doing a single caser on small metal discs. 
Please don't excommunicate me from the club but I LOVE dragons. Speaking of FUN 
we will be having our annual membership meeting and Tom 
Bain auction as well as presenting literary and service awards. 
Make plans now to attend. January 8-11, 2026. See ya there!
Beginning soon (mid-November-December 20th or so) you 
will be able to go on the website and vote for your favorite 
articles/columns in 2025. Please vote and award our hard-
working authors. They will appreciate it. 
  Till next time! Look out for those school zones and don't drive and text!
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
331
The Society of Paper Money 
Collectors was organized in 1961 and 
incorporated in 1964 as a non-profit 
organization under the laws of the 
District of Columbia. It is 
affiliated with the ANA. The 
Annual Meeting of the SPMC is 
held in June at the International 
Paper Money Show. Information 
about the  SPMC, including the 
by-laws and activities can be 
found at our website-- 
www.spmc.org. The SPMC does 
not does not endorse any dealer, 
company or auction house. 
MEMBERSHIP—REGULAR and 
LIFE. Applicants must be at least 18 
years of age and of good moral 
character. Members of the ANA or 
other recognized numismatic 
societies are eligible for membership. 
Other applicants should be sponsored 
by an SPMC member or provide 
suitable references. 
MEMBERSHIP—JUNIOR. 
Applicants for Junior membership 
must be from 12 to 17 years of age 
and of good moral character. A parent 
or guardian must sign their 
application. Junior membership 
numbers will be preceded by the letter 
“j” which will be removed upon 
notification to the secretary that the 
member has reached 18 years of age. 
Junior members are not eligible to 
hold office or vote. 
DUES—Annual dues are $39. Dues 
for members in Canada and Mexico 
are $45. Dues for members in all 
other countries are $60.  Life 
membership—payable in installments 
within one year is $800 for U.S.; $900 
for Canada and Mexico and $1000 
for all other countries. The Society 
no longer issues annual membership 
cards but paid up members may 
request one from the membership 
director with an SASE. 
Memberships for all members who 
joined the Society prior to January 
2010 are on a calendar year basis 
with renewals due each December. 
Memberships for those who joined 
since January 2010 are on an annual 
basis beginning and ending the 
month joined. All renewals are due 
before the expiration date, which can 
be found on the label of Paper 
Money. Renewals may be done via 
the Society website www.spmc.org 
or by check/money order sent to the 
secretary. 
WELCOME TO OUR 
NEW MEMBERS! 
BY FRANK CLARK 
SPMC MEMBERSHIP DIRECTOR 
NEW MEMBERS 09/05/2025
 
 
 
 
 
 
 
 
 
 
Dues Remittal Process 
Send dues directly to 
Robert Moon 
SPMC  Treasurer 
403 Gatewood Dr. 
Greenwood,  SC 29646 
Refer to your mailing label for when 
your dues are due. 
You may also pay your dues online at 
www.spmc.org. 
15893 Eugene Rowe, Frank Clark
15894 Robert Abnernathy, Robert Moon
15895J Tim Baker, Frank Clark
15896 Chris Bubash, Frank Clark
15897 Kevin J. Fellner, Robert Calderman
15898 Bill Reass, Pierre Fricke
15899 Phillip Ryman, Robert Moon
15900 Nicole Stroebel, Website
15901 Kelly Kiser, Jon Hanna
15902 Steven Smith, Website
15903 Nick Powell, Website
15904 Steven Jones, Robert Calderman
15905 William Day III, Robert Calderman
15906 Paul Davidson, Robert Calderman
15907 Larry Smulczenski, R. Calderman
15908 John Walters, Robert Calderman 
15909 Josh Miller, Website
15910 Steven Steinhaus, R. Calderman
15911 Steve Heriot, W
15912 Paul Staron
REINSTATEMENTS--None
LIFE MEMBERSHIPS
LM474 Robert Tudor, Derek Higgins
LM475 formerly 15738
NEW MEMBERS 10/05/2025
15913 Vacant
15914 Keith Morgan, Derek Higgins
15915 William Wilmouth, John Patrick
15916 David Coker, Frank Clark
15917 Vacant
15918 John Snyder, Whitman Pub.
15919 Dale Sponseller, Polar Currency
15920 Benjamin Starr, Website
15921 Robert Olsen, John Patrick
15922 Spencer Fontaine, Website
15923 Keith Nower, Website
15924 Joseph Farina, John Patrick
15925 Jim McNaughton, Website
15926 Aaron Thies, Website
15927 Michael Reddick, Website
15928 Mark Harris, Pierre Fricke
15929 Mark Stevens, Website
15930 Christian Paul, Website
15931 David W. Kahn, Rbt Calderman
15932 Brian Trietley, Rbt Calderman
REINSTATEMENTS--None
LIFE MEMBERSHIPS--None
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
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A Christmas Postal Note from North Conway, N.H. 
“Peace on earth, good will toward men” 
By Bob Laub / Formatting by Skye 
Introduction: Thanks to the “Editor Sez” portion of our award-winning journal the power of the press once 
again reigns true. When I receive my latest edition of “Paper Money” I first turn to the Presidents column, and then 
onto Benny Bolin’s editorial read on what is happening (especially with his granddaughter). 
In the Sept./Oct. edition a call out was presented to consider submitting a “Holiday Season” themed article. I am 
looking forward to that edition as it should prove interesting to see how our members approach that subject request. 
Postal Note’s in General: As some of you may already realize, postal notes were implemented to the general 
public through the U.S. Postal Service. The series was in affect from early Sept. 1883 until the end of June, 1894. 
This issue was initially necessitated by public outcries for an ability to forward small amounts of money less 
detectably through the mail.  
Overall there were almost 71-millions of these one-time usage documents placed into service and 126-million 
dollars forwarded. According to a newly added chapter on Postal Notes, presented in the 23rd edition of Paper Money 
of the United States, New Hampshire has a state-wide contribution of 670,424 and only 23 recorded survivors listed 
in the current census (Sept. 2025). 
New Hampshire Demographics: A state located in the New England region of the North-East U.S. The area 
was established in 1629 and named after the English County of Hampshire. Known as the Granite state with a motto 
of “Live Free or Die”, and was the 9th state to ratify the U.S. Constitution. 
North Conway, N.H. The town is located at the extreme eastern central portion of the state and only 10-miles 
from the western border of Maine. The area is well known for its numerous outdoor activities such as hiking, skiing, 
and taking-in some of the breathtaking Fall foliage. The area also encompasses Mount Monadnock which is among 
one of the most climbed mountains in the world. 
The population of the town during the 1880 census was 553 residents, and by 1890 had increased by only one 
to 554. These two decades are often referenced by me as they also encompass the years for this series of postal notes 
(1883-1894). 
Postal Facts: North Conway became a Money Order Office on or before July 31, 1871 and therefore was already 
well prepared for the eventual onslaught of the new postal note series debuting in Sept. 1883. 
One reference mentions North Conway becoming a Post Office in 1827, but with no exact date. The earliest 
postmaster appointment located thus far shows Samuel W. Thompson who was appointed April 20, 1839. That does 
not mean there were no others before him, it more means that research file is not complete at this time. 
 The postmaster in charge at the time this North Conway Postal Note was issued was Eugene Goodwin. 
Postmaster Goodwin served only a single term which commenced March 28, 1881 until Nov. 12, 1884. An interesting 
fact which is based on a postmaster’s salary is in direct proportion to the amount of revenue his office generates. 
These numbers are released in a government report every other year and for 1883 Postmaster Goodwin received 
$783.75. 
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
333
Thomas Nast: (Sept.26,1840 – Dec.7,1902) 
Thomas Nast was a German-born American 
caricaturist often considered the “Father of the 
American Cartoon”. This side of Nast’s work is 
markedly different from the world of political cartoons 
he is most famous for. This Victorian era image shows 
Christmas as seen through the eyes of children. 
Article Title Clarification: What would qualify a postal note to be considered for an article based on a 
“Christmas” theme. As is often quoted, “the devil is in the details”, an idiom alluding to a catch or mysterious element 
hidden in the presented details. 
The postal note in question is a Type I, which is ultimately recognized by its unique yellow paper. The note is 
represented by the red serial number 77, and is “payable to the bearer” for only one cent.  
An issued amount from one-cent to five-cents is generally considered by most to fall into a souvenir category. 
Each issued note carried a three-cent administrative fee, a constant throughout the series. The question now arises 
why anyone would pay four-cent’s in acquiring a one-cent postal note? This particular note was most assuredly not 
purchased with commercial intensions. 
One of the more interesting aspects is the Dec. 25, 1883 cancellation, which of course was Christmas Day. The 
Dec. 25th date was adopted by the Roman Catholic Church around 336 A.D., during the reign of the Roman 
Emperor Constantine and is the standard worldwide date for Christmas based on the Gregorian Calendar. Christmas 
became a federal holiday in the U.S. in 1870 by President Grant.
An Interesting Question Arises: The number one question which comes to mind for me is why would any post 
office be open on Christmas day?   
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
334
Many of our nations more rural post offices were incorporated into existing establishments such as hardware 
stores or pharmacies. These early combination businesses were more perfectly suited to efficiently handle the needs 
of the town folk, and were often considered social gathering places. You are in the village hardware store or 
pharmacy picking up needed items, why not get the mail at the same time? Residents would often come to these 
places of business in early evening hours to discuss the weather, politics or the towns daily events. Many times it was 
the owner of such a store who was the actual postmaster, and with each new postmaster the post office location would 
usually move to a different storefront. 
As a matter of convenience and cost efficiency the 
Postmasters residence was generally part of these 
spaces, either attached behind the storefront or on an 
above floor. Being the postmaster was very convenient 
if you were seeking to obtain a Christmas souvenir, or 
even a postal note with commercial intensions. I believe 
the North Conway Postmaster purchased this Victorian 
era memento as a personal keep-sake. The note is 
crackling fresh with no signs of folds or hinge remnants 
which many times are present. This bygone era 
ephemera was not purchased in recent times, but most 
obviously 142-years ago, and yet still maintains the original date of purchase integrity. 
The note is unique from two different perspectives. First it is the only census survivor from the small town of 
North Conway, New Hampshire. It is also the only Christmas dated postal note I am aware of. A current census shows 
2,375 postal notes from an original issue of almost 71-million released between 1883-1894. 
In Conclusion: Editor Bolin’s gauntlet was thrown down and the challenge was accepted. Until that request was 
presented I never gave a thought to a Christmas themed article which revolved around series 1883-1894 Postal Notes. 
At this time, I wish to thank my fellow researcher/writer Kent Halland for his continued wealth of pertinent 
information. Without Kent’s contribution this article would have been hard pressed to achieve the depth it has. 
My goal revolves around the entertainment and education of the membership with an additional hope this holiday 
issue is well received. 
Any questions or comments should be addressed to briveadus2012@yahoo.com. I would also be interested in 
hearing about any postal notes you may have as well.  
“Happy Christmas to all, and to all a good night” 
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Incredible FUN ’26 exhibit!!! 
Attendees at the January ’26 FUN show are in store for a real 
treat-an exceptional exhibit that has no match. It comprises 25-30 
cases (currently slated for 28) of serial #1 New York State National 
Bank Notes numbering well over 100 notes. Exhibited by long-time 
SPMC member and treasurer Bob Moon, this mammoth exhibit will 
certainly be a sight to see and behold. I interviewed Bob at the SPMC 
table during the recent Oklahoma City ANA show.  
Robert (Bob) Moon and his wife Christine of Greenwood, S.C. 
have been married 51 years. They have two children, a son (Randy) 
and a daughter (Christy), both of whom are Army careerists. Bob and 
Chris also have 4 cats, two of which like to help Bob catalog notes 
for Heritage. They also have one German shepherd.  
A native of Hudson, NY, Bob is a graduate of Clarkson 
University in Potsdam, NY. He resided in the Capital District area of 
New York until he and Chris retired to South Carolina in 2005. He 
worked for various New York State agencies for over 30 years in the 
IT field until he retired. One of his jobs, from the mid-80s to the mid-
90s, required him to travel all over New York State and when time 
permitted, he would prospect for notes by visiting local banks when 
he was in a town and asked the bank staff who might have something.  
After he retired and his subsequent move to South Carolina, he was recruited to become a currency cataloger for 
Heritage, a position he still holds and which he regards “as the perfect retirement job.  Not only does it provide more 
funds to add to my collection, it certainly keeps me active and, hopefully, I can continue to do it for many years to 
come.” 
Like many of us who collect numismatic items, Bob began collecting when he started plugging holes in Whitman 
folders when he was about ten years old. For Christmas in 1964, his mother got him a subscription to Coin World 
and, aside from his son being born on Christmas Day in 1975, that subscription “was the best Christmas present 
ever!” 
He joined the ANA in 1976 but, even then, he was becoming disenchanted with coins because of all the grading 
controversies. Then, in 1978, while attending the regular monthly coin show at the Polish Community Center in 
Albany, NY, in a dealer’s case, he spotted a $10 bill on the First National Bank of Hudson. Since Hudson was his 
hometown, he had to have it and bought it for $55. In that era, access to currency references was very limited but he 
finally found out about SPMC and joined in January 1980 to get more information on nationals. Shortly thereafter, 
he subscribed to Bank Note Reporter in June of that year. One of the advertisements in that issue was for a new paper 
money show to be held in New York City that September called the Greater New York Currency Convention.  After 
a short Amtrak train ride to Manhattan, he made it to the show and was overwhelmed by the number of dealers and 
the amount of paper money available. It was at that show that he met dealer Allen Mincho, who still resided in New 
York State at the time, and it began a business and social relationship that continues to this day. Allen understood that 
most collectors don’t have deep pockets and he went out of his way to accommodate new adherents to the hobby. 
For instance, in 1981, Allen sold two notes to Bob for $315 and he allowed him to pay for them over three months!  
Bob started out by collecting notes from his hometown of Hudson which had 3 National Banks. He then expanded 
his collecting to his home County of Columbia which had a total of eight banks and to Greene County notes, which 
was right across the Hudson River from Columbia County. Eventually, as finances permitted, he broadened out to all 
of New York State since his job duties required him to travel all over the state.  His first BIG score while “prospecting” 
in local communities took place in November 1988. He went to the Redwood National Bank, near Watertown in the 
far northern reaches of the state, and asked if they had any nationals. The Cashier went into the vault and returned 
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
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with a Serial #1 1902 Date Back on the bank. After some negotiations, a deal was struck and Bob had acquired his 
first trophy note “from out of the woodwork”. 
Since New York had 900 note issuing banks, 47 of which are still unreported today, he knew he had to collect a 
subset of nationals as he said “trying to collect all NY banks is like Napolean invading Russia!.” He decided to collect 
serial #1 notes along with some other “special” examples, such as rare banks or special types. He currently has over 
100 serial number 1 notes and is still looking to add more. Case in point--the week before the Oklahoma City ANA, 
he flew up to New Jersey to meet with a collector and added two more! Bob’s collection is the largest collection of 
#1 notes from New York, but not the largest collection of NY nationals as one collector has over 3,000 NY nationals! 
Bob said he prefers Large Size notes but does have about three dozen #1s in Small Size including three uncut sheets. 
He prefers the large size over the smalls if a bank issued both, but if that bank only issued small size or if there are 
no large size known on the bank, he will collect the small size. His NY national collection now consists of about 250 
total. He also does not collect by plate letter unless that note is an upgrade for one he has.   
Bob said that while it was somewhat hard to name one note as his favorite, he said it had to be the Serial #1 $10 
Brown Back from the Rye National 
Bank, located in Westchester County. 
The story behind the note is that he and 
his wife took a trip in 1990 down the 
Taconic State Parkway to Westchester 
County to visit well-known collector 
Frank Levitan of Larchmont, NY. The 
purpose of the trip was to interview 
Frank for an article Bob was going to 
write about Frank’s Westchester County 
collection (which appeared in the 
July/August 1992 issue of Paper 
Money).  Frank showed Bob all his 
Westchester County notes which 
included numerous rarities that had 
taken him over decades to acquire. However, the one note Bob was most taken with was the #1 Brown Back on Rye.  
Frank explained that he had acquired the note from Texas collector Jack Everson around 1976 in a trade brokered by 
dealer Lyn Knight. On the way home, Bob told Chris that, someday, he would own that #1 Rye Brown Back. Well, 
just before Frank passed away in January of 2011, his collection was sold at auction by Lyn Knight in December of 
2010.  Utilizing the services of  dealer Gary Paretti as his representative, he was able to finally acquire the Rye note. 
I then asked him what his Great White Whale note was. With a smile, he said that has changed over the years as 
one Whale was “caught” and another one was pursued.  Several years ago, the Whale was a Serial #1 Red Seal on 
the First National Bank of Lake George, 
located in the premier resort area of 
Upstate New York.  For over 100 years, it 
had been held in the family of the bank’s 
President. However, Peter Traglia of 
Stack’s worked with the family over time 
and got a price for the note and Bob bought 
it.  At the same time, another Whale that 
had been a long-standing target was a 
Serial #1 Red Seal on the Tottenville 
National Bank, located on the southern tip 
of New York’s Staten Island.  After a 
protracted negotiation with the owner, Bob 
made the aforementioned trip up to New 
Jersey just before the recent ANA show to 
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pick up that note.  As to his next White 
Whale, without revealing details, he 
stated it is an outstanding Upstate NY note 
that has been held by a collector since he 
acquired it out of a Hickman-Oakes sale 
almost 50 years ago. On Bob’s behalf, 
Dustin Johnson of Heritage has offered 
the collector a huge amount for it but has 
not been successful so far.  Bob takes it in 
stride and states “collecting nationals is 
not for people wanting instant 
gratification.  Sometimes, it has taken me several decades to finally get a note.” 
Bob also has about 385 postcards of different NY national banks, some of which will also be in the exhibit. 
I asked Bob what inspired such a large exhibit especially to be placed at FUN and not in New York. He stated 
that he loved exhibiting as that is the best way to show off his collection. He mentioned that he had exhibited for 30 
years at the International Paper Money Shows that were held at Memphis and Kansas City.  In fact, in 2019, he 
received the Best in Show award at the IMPS that year and followed it up with the Runner-Up award for Best in 
Show at the 2019 ANA in Chicago. As to why at FUN, he stated he would have loved to have done it someplace in 
New York but, aside from the International Show in January, all of the major shows in the New York area have fallen 
by the wayside.  Also, virtually all of the remaining shows in Upstate New York are just very small one-day affairs 
leaving no viable options for placing such a large exhibit. He feels that since FUN is such a large and well attended 
show, with a lot of New York retirees or vacationers down for the winter, it was the next best thing to an exhibit in 
New York.    
So plan to attend and see an incredible exhibit that will probably not be replicated again. 
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National Banks that issued only 
Aldrich-Vreeland 
Emergency Currency 
The purpose of this article is to document that a few national banks issued only Aldrich-Vreeland 
emergency currency during the note-issuing era and nothing else. 
The Aldrich-Vreeland Act provided for the issuance of temporary infusions of national bank 
currency to provide elasticity to the national currency supply when needed. In its original form passed 
March 30, 1908, the Act reserved the privilege to receive emergency currency only to national banks that 
had existing circulations of traditional bond-secured currency. A Congressional amendment dated May 4, 
1914 extended the privilege to banks that had not taken out circulation. 
The 1914 amendment opened a window for the possibility that there might have been some bankers 
who took advantage of May 4, 1914 provision to subscribed only for emergency currency and subsequently 
never went on to issue traditional bond-secure currency during the remaining existence of their bank. Such 
circulations would have been short-lived, likely small, and thus create the opportunity for minuscule 
survival of such notes today. 
Background 
The Aldrich-Vreeland Act—often called the Aldrich-Vreeland Emergency Currency Act—was 
passed March 30, 1908 in direct response to the ruinous Panic of 1907. A burning monetary concern 
swirling around national currency at the time was that it was flawed because it was inelastic. Inelastic meant 
that the volume of it in circulation was unable to expand and contract to accommodate seasonal fluctuations 
in the demand for currency or to adjust to mitigate economic shocks to the economy such as the bursting of 
the stock market bubble that was the cause of the Panic of 1907. The result was seasonal swings in interest 
rates that punished borrowers just as they needed loans. Worse, when monetary shocks hit, panicky 
depositors withdrew currency from banks just at the moment bankers needed increased liquidity to react to 
the bad news. 
The Paper 
Column 
by 
Peter Huntoon 
Figure 1. This note from Lumberton, North Carolina, holds the distinction of being issued 
from one of the few banks across the country that issued only Aldrich-Vreeland emergency 
currency during its entire existence. Heritage Auction archives photo. 
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The problem with national currency was that the quantity of it was tied by law to the capitalization 
of the banks, a number that was static over the short term and thus unresponsive to the economy. At the 
time the Panic of 1907 came along, the maximum amount of circulation a national bank could issue was 
dictated by a provision in the Gold Standard Act of March 14, 1900. Specifically, the circulation could not 
exceed 100 percent of the paid-in capital stock of a bank. Consequently, the only way a bank’s circulation 
could be increased was to increase its paid-in capital by raising money from its stockholders just at the time 
they most likely were trying to increase their personal liquidity to respond to the unfolding economic 
downturn. 
The elasticity problem had plagued national currency since its inception so national bank currency 
was increasingly reviled by economists and Treasury officials alike. 
What was needed was a mechanism where the money supply could be boosted when needed but 
contracted as soon as the need passed. The idea taking root in economic circles was to allow for the creation 
of additional national bank circulation when needed but tax the increase at a higher rate than the traditional 
bond-secured circulation. Thus, when the need for it came along, the bankers and their borrowers would be 
willing to pay higher interest rates to obtain it, but as soon as the need for it passed the high interest rates 
would cause them to liquidate the loans and drive it out of circulation. 
Such a mechanism was built into the Aldrich-Vreeland Act. The bankers could obligate non-
Federal government bonds and short-term commercial loans to the U.S. Treasury as collateral in order to 
receive so-called emergency infusions of their national bank notes to inflate the money supply. 
However, the interest rate on the emergency currency was set too high so no one took advantage 
of the act. When World War I broke out, a liquidity crisis overran the U.S. economy as the Europeans 
scrambled to liquidate their U.S. investments in order to raise money to fund their war. What ensured was 
the export of large amounts of our currency. Congress passed in haste an amendment on August 4, 1914—
the day Britain declared war on Germany—that liberalized the Aldrich-Vreeland provisions by dropping 
the interest rates on the emergency infusions, raising the total amount of such money that could be issued 
from a half billion to one billion dollars, and, central to this article, allowing bankers who had never taken 
out traditional bond-secured circulation to issue emergency currency. The latter was a minor nod to get 
even more emergency currency into circulation to help mitigate the liquidity crises that was unfolding. 
The first emergency currency was issued on August 4, 1914; the last February 12, 1915. The need 
for it quickly subsided so by the time the Aldrich-Vreeland Act expired on June 30, 1915, all of it was being 
redeemed from circulation. However, when it was in use, the circulation of national bank notes spiked $386 
million to an all-time record high of $1.1 billion, an increase of 50 percent. 
Figure 2. The bankers at the Enterprise National Bank utilized three plate combinations to issue 
only Aldrich-Vreeland emergency currency during the short 1914-5 window when such a feat 
was possible. National Currency Foundation census photo. 
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Emergency-Currency-Only Issuers 
In the cases of bankers who used only emergency currency, they had to receive all of it and then 
provide for its redemption within an 11-month window between August 4, 1914 when the first of it was 
issued and June 30, 1915 when the Aldrich-Vreeland Act expired. 
Bankers had to submit statements of condition each year that were published in the Annual Reports 
of the Comptroller of the Currency. These listed their circulations. Those due for 1914 and 1915 were 
respectively dated September 12, 1914 and September 2, 1915. If a banker didn’t apply for emergency 
currency until after September 12, 1914, their entire emergency currency infusion is invisible to us from 
the annual reports because their circulation for 1914 would show as zero. Thus, the banks of interest to us 
never reported any circulation. 
The question is, how could we find them? The following screening procedure did the job. 
1. The banks had to be organized after passage of the Federal Reserve Act of December 23, 1913
in which the requirement that national banks purchase bonds to secure circulations was
repealed.
2. The banks had to be chartered before the Aldrich-Vreeland Act expired on June 30, 1915 so they
would be eligible to obtain emergency issues as provided for in the Act of August 4, 1914.
3. All circulation reports in the annual reports of the Comptroller of the Currency for the lives of
the banks had to be zero except for 1914 for those chartered before the September 12, 1914
reporting call date.
4. The banks had to issue only Series of 1902 date back notes according to the Van Belkum
issuance data.
This screening criteria excluded all pre-1914 banks, which of course eliminated all Series 
of 1882 issuers. Our list boiled down to the thirteen Series of 1902 date back-only issuers listed 
on Table 1. 
The National Currency and Bond Ledgers housed in the National Archives were consulted for two 
of the banks listed on Table 1 to determine if in fact they issued only Aldrich-Vreeland emergency currency. 
The two were Laurens, South Carolina, charter 10605, and Clarksville, Texas, charter 10643. The ledger 
pages have a box where all security deposits and withdrawals are recorded by the dollar amount of currency 
represented and the type of security. The Aldrich-Vreeland emergency currency entries are labeled “M.S. 
sec 1” which stands for miscellaneous securities as per Section 1 in the Aldrich-Vreeland Act. 
Table 1. Banks that issued only Aldrich-Vreeland emergency currency, the plates used with
certification dates, sheets received and reported survivors. All are Series of 1902 date backs.
Ch No Location Bank Plate Cert Date Issued Reported Survivors
10475 MN St. Paul NB of Commerce in 10-10-10-20 8/29/1914 1-3010
10513 OK Ada Merchants & Planters NB 10-10-10-20 9/30/1914 1-413
10543 SC Charleston Commercial NB 5-5-5-5 9/26/1914 1-1525
10-10-10-20 9/26/1914 1-1233
10549 TX Bynum First NB 5-5-5-5 9/19/1914 1-150
10-10-10-20 9/19/1914 1-135
10593 SC Woodruff First NB 10-10-10-20 9/12/1914 1-580
10605 SC Laurens Enterprise NB 10-10-10-20 9/19/1914 1-896 $20 K263185B-359-A
10610 NC Lumberton NB 5-5-5-5 9/19/1914 1-945 $10 M531888-190-G
10-10-10-10 9/19/1914 1-445
10-10-10-20 9/19/1914 1-349
10617 TX Honey Grove State NB 10-10-10-20 9/30/1914 1-982 $10 K815506B-640-B
10643 TX Clarksville City NB 10-10-10-10 10/26/1914 1-828 $10-M825631-358-B
10646 TX Quitman First NB 10-10-10-10 10/26/1914 1-530
10647 TX Petty Citizens NB 10-10-10-20 11/7/1914 1-392
10651 SC St. Matthews St. Mathews NB 10-10-10-10 11/4/1914 1-2160 $10-M844781-458-A
10652 SC Laurens Laurens NB 10-10-10-20 11/25/1914 1-949
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There was no ambiguity. The records for both banks reveal that only emergency currency was sent 
to the two banks.  
Laurens is the country seat of Laurens County in northwestern South Carolina. The town had a 
population of 9,139 in 2020. Enterprise National Bank of Laurens was chartered August 31, 1914 and 
liquidated March 20, 1924 when it was succeeded by Peoples Enterprise Bank of Laurens. The bankers 
there made three deposits inclusive of October 5 and November 6, 1914 labeled M.S. sec 1 in order to draw 
a total of $41,000 worth of emergency currency, Deposits by them of lawful money to redeem the 
emergency currency and release the lien of the United States against their securities were received inclusive 
of February 20 and April 30, 1915. Series of 1902 10-10-10-20 sheets 1 through 820 were sent to them to 
cover their requisitions. They also received sheets 821 through 896 to replace worn notes redeemed from 
circulation before the liability for the redemption of their emergency currency was assumed by the U. S. 
Treasurer once their liens had been released. 
Clarksville is the county seat of Red River County in the northeastern corner of Texas below the 
eastern Oklahoma line. The town had a population of 1,857 in 2020. The City National Bank of Clarksville 
was chartered October 17, 1914 and placed in receivership March 9, 1925. The bankers made one deposit 
of $30,000 labeled M.S. sec 1 on November 6, 1914 and withdrew it April 30, 1915. Series of 1902 date 
back 10-10-10-10 sheets 1 through 750 were shipped to them on November 10, 1914 to cover their deposit. 
Between February 2 and April 29, 1915, sheet serials 751 through 828 were sent as replacements for worn 
notes redeemed from circulation before their liens had been released. 
Quite obviously, the chain of circumstances that transpired to land a bank on Table 1 proved to be 
a curious freak of economics. It would be interesting to understand what motivated the bankers to get 
involved and how they profited from such a short-term enterprise. It is not lost that the majority of players 
were in the Carolinas and Texas. Undoubtedly there is a backstory there that hints at some guiding external 
influence by a correspondent bank or syndicate of investors. The banks survived the play and continued in 
business so availing themselves of the Aldrich-Vreeland opportunity did not turn out to be the sole reason 
for organizing them. I simply haven’t found documentation that answers these questions. 
Implications for Survival of Notes 
The number of notes issued by a bank and the antiquity of those releases are the primary factors 
that dictate survival. Obviously, survival decreases the smaller the issue and the older. The issuances by the 
banks on Table 1 were small and their 1914-5 release dates early enough to seriously negatively impact 
survival. The brevity of the releases; specifically, some fraction of the few months bridging 1914-5, were 
very short, which also is a negative. 
Figure 3. A proof of a note issued by a small-town bank in Texas that issued only Aldrich-
Vreeland emergency currency. This bank is not known to be repressed by a surviving specimen. 
Survivors from such banks are uniformly rare. National Numismatic Collection photo. 
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The available census data bears out this state of affairs. The serial numbers of all the notes reported 
in the National Currency Foundation census for these banks appear on Table 1. A paltry one note is reported 
from each of only five banks of the thirteen on the list. 
Sources of Data 
Bureau of Engraving and Printing, 1875-1929, Certified proofs lifted from National Bank Note printing plates: National 
Numismatic Collection, Smithsonian Institution, Washington, DC. 
Comptroller of the Currency, 1863-1935, Annual Reports of the Comptroller’s of the Currency: U.S. Government Printing Office, 
Washington, DC. 
Comptroller of the Currency, 1863-1935, National Currency and Bond Ledgers: Record Group 101. U.S. National Archives, 
College Park, MD. 
SPMC.org * Paper Money * Nov/Dec 2025 Whole Number 360
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Lyn Knight Currency Auct ions
If you are buying notes...
You’ll find a spectacular selection of rare and unusual currency offered for
sale in each and every auction presented by Lyn Knight Currency
Auctions. Our auctions are conducted throughout the year on a quarterly
basis and each auction is supported by a beautiful “grand format” catalog,
featuring lavish descriptions and high quality photography of the lots.
 Call today to order your catalog
913-338-3779
If you are selling notes...
Lyn Knight Currency Auctions has handled virtually every great United
States currency rarity. We can sell all of your notes! Colonial Currency...
Obsolete Currency... Fractional Currency... Encased Postage... Confederate
Currency... United States Large and Small Size Currency... National Bank
Notes... Error Notes... Military Payment Certificates (MPC)... as well as
Canadian Bank Notes and scarce Foreign Bank Notes. We offer:
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Call or send your notes today!
If your collection warrants, we will be happy to travel to your
location and review your notes.
913-338-3779
Mail notes to:
Lyn Knight Currency Auctions
P.O. Box 7364, Overland Park, KS 66207-0364
We strongly recommend that you send your material via USPS Registered Mail insured for its
full value. Prior to mailing material, please make a complete listing, including photocopies of
the note(s), for your records. We will acknowledge receipt of your material upon its arrival.
If you have a question about currency, call Lyn Knight.
He looks forward to assisting you.
913-338-3779 - Fax 913-338-4754
Email: lyn@lynknight.com -  support@lynknight.c om
Whether you’re  buying or selling, visit our website: www.lynknight.com
Fr. 379a $1,000 1890 T.N. 
Grand Watermelon
Sold for 
$1,092,500
Fr. 183c $500 1863 L.T.
Sold for 
$621,000
Fr. 328 $50 1880 S.C.
Sold for 
$287,500
Lyn Knight
Currency Auctions
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Leading Auction
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States Currency
Good Faith Finance
by Peter Longini 
I hate to brag, but I am a trillionaire.  Not just once, but ten times over.  And I have the document to prove it.   
In 2008, the government of Zimbabwe – formerly known as Rhodesia – issued paper currency with face values 
in the trillions of Zimbabwe dollars.  My own note, which I bought on eBay for USD $8.50,  is made out in the 
amount of 10 trillion dollars.  But there is also a 100 trillion Zimbabwe dollar note for which the eBay seller was 
asking something closer to USD $12.00.  However, I 
declined his offer since my acquiring it might be seen as 
too ostentatious a show of wealth. 
Of course, if you tried to use any of that Zimbabwe 
currency to purchase goods or services, it wouldn’t have 
passed the laugh test.  Your offer would immediately be 
dismissed as worthless, even in Zimbabwe.  And the 
seller would have been right in doing so.  So what 
happened?  Why is paper currency subject to catastrophic 
failures?  Good question.  And it goes to the heart of why 
paper currency enjoys widespread acceptance – until it doesn’t.  
That wasn’t always the case.  A few centuries ago, what we now think of as paper money, began as receipts from 
businesses and institutions for gold and other precious metals that people had deposited with them for safekeeping.  
But depositors soon learned that it was easier to exchange the receipts, and their associated rights to withdraw the 
gold, than it was to physically reclaim the metal from the depository for transacting business.  In effect, it was an 
early form of what we would now consider to be a gold standard.   
Over time, however, and with evolving bank practices, the supply of paper money was allowed to exceed the 
gold or silver deposits that those receipts represented.  Throughout the middle of the 20th century, American paper 
currency said right on the front “This certifies that there is on deposit in the Treasury of the United States…” whatever 
dollar amount appears on the note.  Below that it read “In silver payable to the bearer on demand.”  However, by 
1971, the connection between paper money and any underlying precious metals was officially severed.  Instead, 
today’s paper money reads on the front: “This note is legal tender for all debt, public and private.”  Period. 
But if paper currency is legal for all sorts of debts, what gives it value?  Is it like Wile E. Coyote who has just 
run off the edge of a cliff and remains suspended in mid-air, at least until he looks down?  Or is there something more 
to it?  The answer, for the most part, is in the way the nation’s central bank manages its money supply and the interest 
rates it charges for loans to financial institutions.   
That can work reasonably well if the central bank – in the United States it’s the U.S. Treasury – is seen as acting 
responsibly.  But what if it’s seen as acting recklessly?  What if its money supply seems disconnected from the real 
economy?  What if the creditworthiness of the nation becomes widely mistrusted?  What happens to a currency when 
its citizens lose faith?  Its economy reverts to barter, black markets, foreign currencies, tax evasion, and 
hyperinflation, along with massively disruptive financial consequences.   
Although the United States has thus far managed to 
avoid the catastrophe of hyperinflation, many other 
countries have not.  My own rather modest collection of 
paper money bears witness to the collapse of national 
currencies.  In 1923, Germany’s flailing Reichsbank 
issued notes for ten, twenty, and one hundred million 
marks.   
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In 1993, Yugoslavia circulated a note for 
500 billion dinars.   
In 2003, the Bank of Ghana began 
circulating notes of 10 thousand cedis.   
In 2016, Venezuela issued notes for 20 
thousand Bolivars.  In 2008, Zimbabwe began 
circulating its multi-trillion-dollar notes.  And 
today, Argentina is at risk with inflation of more 
than 200% a year.  In every case, their notes were 
barely worth the paper they were printed on 
because their people had lost faith in the integrity 
of the government issuing them.  And the 
contagion of collapse can spread quickly, as 
panicked currency holders stampede toward the 
exits, rushing banks, and intensifying the problem. 
For most U.S. residents – and many overseas for whom the U.S. dollar is either the primary or backup currency 
– the idea that America and its money could go the way of these other countries is almost unthinkable.  But it’s not.
There are radical members of Congress today for whom defaulting on bond and debt payments is an acceptable price 
to pay for an assortment of political goals they’re seeking.  An American default would have immediate and 
potentially disastrous ripple effects on capital markets and economies throughout the world.  Holding the faith of 
Americans in their currency hostage is precisely the sort of recklessness that has led to economic collapse in nations 
around the world.  Moody’s has already lowered the credit rating it assigns to U.S. Treasury bonds once.  That could 
easily happen again. 
I collect samples of collapsed currencies to remind myself that prosperity – whether personal or national – is a 
fragile condition.  It can be shattered quickly.  Like Wile E. Coyote, wealth is a condition primarily held aloft by 
faith.  Ignoring the unwritten social contract that gives money its value – or even worse, threatening to shoot that 
hostage unless certain demands are met – is a form of extortion that risks catastrophe.  The brinksmanship of 
threatening financial ruin, which is played out in Washington every few months, is more than a legislative ritual.  It 
is an exceedingly dangerous game, and it needs to stop.  
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NEW GRANT SHERMAN FRACTIONAL SPECIMEN VARIETIES DISCOVERED IN 
THE BEP ARCHIVES AT THE SMITHSONIAN INSTITUTION 
By Rick Melamed and Rob Kravitz    
One of the most fascinating issues in the Fractional Currency series is the Grant Sherman third issue 15¢ 
Specimen. They were originally intended for regular circulation but 
on April 7, 1866, Congress enacted legislation prohibiting the 
portrayal of living people on currency, bonds, and securities. This was 
a direct result of Spencer M. Clark putting his own image on the Third 
Issue 5¢ Fractional (Fr. 1236-1239). Clark was the First 
Superintendent of the U.S. National Currency Bureau – the forerunner 
to the BEP…so he had the means, but not the authority.  Congress was 
mortified by his actions motivating them to enact the law1. The 
Treasury also wanted to honor two living Civil War heroes, Generals 
Ulysses Simpson Grant and William Tecumseh Sherman. Grant was 
then the commander of the U.S. Army; Sherman was his top general, 
successfully winning battles in the western theatre while Grant was back East 
in an extended faceoff with Confederate General Robert E. Lee.  Grant and 
Sherman were closely aligned and when Grant became the 18th U.S. President 
in 1869, he selected Sherman to be the army’s commander in chief. The new 
engraved plates, featuring images of Grant and Sherman, were already made 
when the 1866 law was passed. While the plates could not be legally used to 
print circulating money, the Treasury was able to issue them as Specimen notes 
which carried no monetary value.  The Treasury marketed and sold them to the 
collecting community as souvenirs. In the nearly 160 years since the law was 
enacted, no living person has graced our circulating money. 
In this article we will showcase all known Grant Sherman notes and include some varieties that have never been 
printed in any numismatic publication.  These varieties are only available for viewing through the Bureau of 
Engraving and Printing/Smithsonian Institution (BEP/SI) digital archives. The archives are vast but not categorized 
or indexed. Thanks to Jerry Fochtman for his exhaustive efforts in organizing all the BEP Fractional plate currency 
images into a comprehensive accounting.  Because of his efforts, for the first time we can show images of full uncut 
Grant Sherman sheets (wide and narrow margin, front and back).  Even more remarkable was the discovery of Grant 
Sherman Specimens with a sheet plate position designator “1” & “a”. Something never seen by current collectors and 
is so important that they have earned their own unique Friedberg numbers (as confirmed by Art Friedberg).  Making 
this more momentous, the new Grant Sherman Fr#’s will be the first new Fractional numbers added to Friedberg’s 
Paper Money of the United States since the Fr. 1373a Justice Fractional was added to the 4th edition in 1962. 
Originally 9,016 Grant Sherman Specimens were issued and as of June 30, 1884, only 3,513 were carried on the 
U.S. Treasury books as outstanding.   Speculation is that half that amount exists today.  All examples are uniface 
(front or back only), and they are printed on white bond paper.  The paper does not have the CSA watermark 
commonly found on other Fractional Specimens, and no examples are known to have the bronze “SPECIMEN” 
surcharge (Valentine showed Grant Sherman backs in his reference with a bronze “SPECIMEN” surcharge. Milton 
Friedberg believed that Valentine listed it in error – but Milton still gave it a number: 3S15R.1a for the red back; 
3S15R.2a for the green back).   
1 List of living people portraits that were used on 3rd issue Fractionals before the April 1866 law was enacted:  
1. Spinner 50¢ Type 1 back – Jan.1, 1866. Spinner with Type 2 back was released May 27, 1868 – which snuck through after law was passed.
2. 25¢ red back Fessenden – Feb. 21, 1865; green back Fessenden – April 1, 1865.
3. Green back 5¢ Spencer M. Clark Green back was released Feb. 1865.  There is no date on the release of the Clark red back.
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Grant Sherman Uncut Proof Sheets 
From the BEP/SI archives the following are images of uncut proof sheets. For those with the idea that the narrow 
margin notes were trimmed from the wide margin, that is not the case.   
Left: Shown is a sheet of twelve narrow 
margin notes in a 3x4 layout. Plate #16 is in the 
intersection of the lower left quadrant.  While 
plate numbers show up occasionally on the wide 
margin Grant Sherman, we have not witnessed 
any narrow margin specimens with a plate 
number.   
Left: Shown is an uncut sheet of twelve 
green Grant Sherman narrow margin backs.  
Note plate #13 in the intersection of the lower 
left quadrant. 
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Left: An incredible uncut sheet of eight wide margin Grant Sherman faces with the engraved signatures of U.S. 
Treasurer Francis Spinner and U.S. Register Stoddard Colby.  To accommodate eight notes on the sheet, they had to 
be positioned with 5 horizontally and 3 vertically (flipped 90 degrees).  Note plate #3 in the upper corner of the lower 
left note. This layout was also used for the wide margin Fessenden Specimen sheet. This sheet survives and is safely 
ensconced at the Smithsonian…away from collector’s hands forever.  Right: An uncut sheet of eight wide margin 
Grant Sherman green backs.  Note plate #1 in the bottom.    No red back examples have been found in the BEP/SI 
Archives.  We believe no red back proof sheets were created. 
To the left is a list of the plate numbers used for the Grant 
Sherman Specimen proofs.  Thanks to Martin Gengerke for 
finding a journal in the 1970s at the BEP listing all the plate 
numbers used for the 2nd and 3rd issues.  For a full list of all 
Fractional plate numbers, please see the Rob Kravitz book, “A 
Collector’s Guide to Postage & Fractional Currency (2012)”.  
The BEP/SI archive does not have the plate #2 sheet, which is the 
plate without engraved signatures. Plate #2 would have been used 
for the autographed notes. Plate numbers 1-3 were used for the 
wide margin; plate numbers 4-19 were used for the narrow 
margin. Out of the 19 plates used for the Grant Sherman, only 15 
proof sheets survive in the archive. Plates bearing the following 
numbers are not found in the BEP/SI archive: 2, 7, 12 and 18. 
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Grant Sherman Notes 
Left: Milt# 3DP15F.2 (Fr. 1272SP) with Colby/Spinner engraved signatures.   
Right: Milt# 3DP15F.1 (Fr. 1275SP) with Allison/Spinner autographed signatures. The above pair of notes appear 
to be regular Grant Sherman wide margin autographed Specimens.  However, upon closer examination, this pair of 
notes were made from a single die and not cut from a sheet of 8 as evidenced by the extra wide margins on the top 
and bottom.  Milton Friedberg postulated this in his Fractional encyclopedia.  When lining up the notes against the 
uncut sheet as shown above, we can see that this is true.  These single die proofs have extra wide top and bottom 
margins, something not found on regular wide margin examples which only have an extra wide top or bottom margin 
(but never both).   After the design was approved, the Treasury then duplicated the engravings (x8) onto a single 
sheet.  These examples were some of the earliest Grant Sherman Specimens ever produced.  
 
 
Left: Shown is a major Grant Sherman 
discovery only found on the BEP/SI archival 
sheets. These were not listed in the Milton 
Friedberg Encyclopedia.   We digitally extracted 
the upper left note from the sheet to feature plate 
position “1” & “a”. See the red circled 
designators.  
 
 
 
 
 
 
 
Left: The plate designator layout is the 
same as the third issue 50¢ Justice and Spinner 
sheets.  The BEP/SI archive sheet image is not 
optimal, so we created a layout grid to better 
display the positioning of the “1” & “a” sheet 
location designator.  
 
 
 
 
 
 
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Left: Narrow margin Grant Sherman with the “1” sheet location designator. Right: With the “a” sheet location 
designator. Both the “1” and “a” note were digitally extracted from a BEP/SI archival sheet. Looking through about 
800 examples in the Heritage archive, we could not locate a single example of a Grant Sherman with a “1” and/or 
“a” in collector’s hands; they apparently only exist in the BEP/SI archives. Six narrow margin obverse sheets can be 
viewed in the archive. Five of those sheets contain the”1”, “a” and “1-a” plate position indicators. The sixth plate 
(plate #6) has no “1” or “a” indicator. We are of the opinion that the Treasury only sold Specimen notes from plate 
#6, which contained no “1” or “a” indicator.  
Left: Milton 3E15F.1. This example only has the Spinner autograph and is missing the Register signature 
(Colby, Jeffries, or Allison). Milton considered it unique and Stack’s shared that opinion when this note sold in the 
Stacks/Ford May 2005 sale for $6,325.  One major difference is this note was printed on bristol board and not the 
usual thin white bond paper.  It is believed that the very first printing would likely have been done on bristol board 
since it would be more porous than bond paper and would absorb the ink better.  Another major difference is Milton 
3E15F.1 lacks the ornamental wavy lines surrounding the portraits of Grant and Sherman.  Right: Narrow Margin 
Fr. 1272 Specimen. Note the ornamental lines inside the red ovals. All these points indicate that Milton 3E15F.1 is 
probably the first Grant Sherman note printed.       
Left: Fr. 1272SP-REV - Milton 3P15R.2.  Common Grant Sherman green back.   
Right: Fr. 1276-REV – Milton 3P15R.1. Common Grant Sherman red back.  Both these wide margin examples are 
also found as narrow margins.  
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Left: Fr. 1272 – Milton 2S15F.1.  Wide margin 
example with engraved signatures of Colby and 
Spinner.  This was also issued as a narrow margin.  This 
is the most common example of the series. Note plate 
#3 in the upper right corner.  
 
 
 
Left: Fr. 1273SP – Milton 3S15F.2. This narrow margin note is autographed by Register Stoddard Colby and 
U.S. Treasurer Francis Spinner.  It is quite rare (Kravitz estimated about 60 known, though Heritage states maybe 
35-40 exist).  They are not known in a wide margin format since they were only found on the rare pink and green 
Fractional shields.  All examples have tightly trimmed margins and many display damage from being removed from 
the shield. Right: Fr. 1274SP – Milton 3S15F.3.  As with all wide margin autographed notes, this example was 
printed from plate #2 (no signature design). It was signed by Noah Jeffries (Register from 1867-69) and U.S. 
Treasurer Francis Spinner.  This note is also found as a narrow margin. 
  
Left: Fr. 1275SP - Milton 3S15F.4. Wide margin Specimen featuring the autographs of John Allison (Register from 
1869–1878) and Treasurer Francis Spinner.  Note plate #2 in the upper right.  Right: Fr. 1276SP – Milton 3S15F.5. 
This wide margin Specimen is unsigned and also from plate #2.  We are of the opinion that this is an error note and 
was left accidentally unsigned.  Hence, it should not have a Friedberg number (but yes to a Milton number).    These 
are prohibitively rare with only 3 known to exist. The example shown is the most valuable Grant Sherman Specimen 
known.  It sold for $27,600 at a January 2008 Heritage auction. 
 
Fr.1273-1275SP – Milton 3P15F.6. An unusual 
signature combination.  The Register was James Napier 
who served from 1911-1913. This should be classified 
as a single signature Spinner with a courtesy autograph 
in the Register's position. Considered unique, it first 
showed up in the Stacks 2004 Ford sale and resurfaced 
in a September 2009 Stack auction.  
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 Below left: Uncut Fr. 1272 pair from Stacks Ford 
III sale in 2004.  Stacks indicated that there may be several 
pairs, but we think it could be unique as no others have 
shown up in auction.  Unlisted in Milton’s reference. 
Right: Uncut strip of three Fr. 1272 (Milton 3P15F.1a).  
This unique strip pedigrees to the Milton Friedberg CAA 
auction in January 1997 and reappeared in the Tom 
O’Mara Heritage sale in April 2005. Both notes have plate 
#3 in the right margin. 
There are several Grant Sherman examples with Milton numbers bearing courtesy signatures from post 
Fractional era U.S. Treasurers: Lee McClung (Milt #3P15F.1b); John Burke (Milt #3S15F.3b); A.U. Wyman (Milt 
#3P15R.2a); and James Gilfillan (Milt #3S15R.1b). 
       One more thing to ponder.  With the addition of three new Friedberg numbers for the Grant Shermans notes (only 
found at the Smithsonian), this means there never was and there will never be a full type set of Fractionals by Fr# in 
collector’s hands since the aforementioned notes will forever be ensconced at the Smithsonian Institution.   
       In the next edition of the Friedberg reference, the newly discovered Grant Sherman Specimens with be designated 
with the following Fr#’s: 
Fr. 1272a-SP (Grant Sherman specimen with engraved signatures with plate position ‘a’) 
Fr. 1272b-SP (Grant Sherman specimen with engraved signatures with plate position ‘1’) 
Fr. 1272c-SP (Grant Sherman specimen with engraved signatures with plate position ‘1 & a’) 
This concludes what should be the most comprehensive overview of the Grant Sherman Specimen. For the uncut 
sheets, the “1/a”, “1”, and “a” notes, we used Adobe Photoshop to sharpen the image to highlight the tiny sheet 
location designators. Many thanks to the Stacks/Bowers and Heritage auction archives for the images contained in 
this article.  Also, to the Smithsonian Institution for the sheet images. Thank you to Steve Shupe (FCCB President) 
and Bob Laub for their editorial input. And finally, a big thanks to Art Friedberg for his support and recognition of 
the major Grant Sherman Specimen discovery. 
References: 
Milton Friedberg - The Encyclopedia of United States Postage & Fractional Currency (6th Ed. 2000) 
Rob Kravitz - A Collector’s Guide to Postage & Fractional Currency (2nd Ed. 2012) 
Arthur and Ira Friedberg - Paper Money of the United States (22nd Ed. 2021) 
Currency Auctions of America - Milton Friedberg Fractional Auction (January 1997) 
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 “Cervanteros” 
Banknotes of the Short‐Lived Federal Republic of Loreto 
By Stephen D. Russell 
 In the early 1900s, Peru and in particular the district of Loreto became 
wealthy with the harvesting of rubber for the emerging automobile industry (Figure 
1). But, rubber trees were smuggled out of the country to Malaysia and in 1921 the 
Peruvian economy fell into a recession when the rubber boom had ended. The 
government of President Augusto Leguía (Figure 2) stopped sending funds from the 
rubber tax to pay the military and civil servants in the rural 
Loreto region and instead directed that funding to enrich the 
politicians and military in the cities.  
Under a treaty with neighboring Colombia, with whom 
they had been at war with in 1911, President Leguía was also 
planning to cede part of the Loreto district to Colombia. The 
people in the Loreto community were starving, and also felt that 
giving the land to Colombia was an act of treason, so in response 
they formed the civilian Loreto Defense Committee, and the local infantry Captain Guillermo 
Cervantes (Figure 3) took command of the regiment that was stationed in Iquitos and declared 
himself leader on the Federal Republic of Loreto (Figure 4) on 5 August 1921. He issued a 
manifesto signed by 19 junior officers and 7 Loretan 
citizens denouncing the fraud by government authorities 
who embezzled funding which had been allocated for the 
troops, police, teachers and other civil servants. This is 
known as the Iquitos Revolution, or by the locals as the 
Cervantine Revolution.  
The provisional government, headed in Iquitos, 
soon expanded its control to 
the adjacent Peruvian 
departments of Amazonas 
and San Martin. On its 
second day of existence, the 
rebel authorities authorized 
the distribution of 
provisional banknotes 
used by locals as 
currency. Martial law and a curfew were declared, and local ports were ordered shut, with local 
trade and navigation being tightly controlled. The revolution was quickly accepted by the local 
population, but was met negatively by Peru's President Leguía, who sent troops to the area, and shut down all trade 
to the region. After armed confrontations with the forces of the central government, the revolutionaries were facing 
lack of resources and food, which created growing discontent of the population. Faced with these events, Cervantes 
met with his officers and abandoned the revolutionary cause on 9 January 1922. Cervantes then escaped and sought 
refuge in the Ecuadorian jungle and his army soon became little more than an insurgency ending on 13 January 1922 
when Iquitos was occupied by the Peruvian military. Today, Iquitos is the capital city of Peru's Maynas Province and 
Loreto Region. It is the largest metropolis in the Peruvian Amazon, east of the Andes. 
 The unrecognized, self‐proclaimed Federal Republic of Loreto lasted from 5 August 1921 to 13 January 
1922, just over 5 months. During the revolt, Captain Cervantes and his forces seized 13,306 gold sterling pounds 
owned by the Bank of Peru and London and that allowed them to issue the provisional checks and mandate their use 
Figure 1.  Man Harvesting 
Rubber Tree Depicted on Peru 
100 Soles de Oro Banknote 
(P#69Aa, author photo). 
Figure  2.  Augusto 
Bernardino Leguía y 
Salcedo, 36th & 40th 
President of Perú 
(Wikimedia archives 
photo). 
Figure 3.  Guillermo 
Cervantes Vásquez, 
Leader of the Federal 
State of Loreto 
(Wikimedia archives 
photo) 
Figure 4.  Map and Flag of the Federal Republic of Loreto (Wikimedia
archives photo).
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within the city of Iquitos and throughout Loreto. The provisional checks became known as “Cervanteros” or 
“Cervantinos” after fusing the names of Captain Cervantes with the surname of a member of the Loreto Defense 
Committee, Don Octavio de los Heros. All of the bills were dated 1 Oct 1921 and were issued on 7 Oct 1921 and 
primarily used to pay the public servants. They have signatures of Captain Cervantes and Don Octavio de los Heros. 
 The revolutionary movement issued provisional notes in an amount of 50,000 Libras de Oro, in 
denominations of 10, 20 and 50 Centavos, 1 Sol, and one‐half, 1 and 5 Libras. Later another 100,000 Libras were 
issued. The monetary system used 100 Centavos equal to 1 Sol, and 10 Soles equal to 1 Libra de Oro. 
 The notes were printed locally by “El Oriente” and they used different types of paper. The half libra, 1 libra 
and 5 libra notes were printed on high quality white paper. The 1 Sol note was printed on orange paper. While the 
10, 20 and 50 centavo notes were printed on poor quality tan or brownish-white paper using the design of the 1 Sol 
note for their face with an overprint of the value. 
 The highest denomination “Cervanteros” issued by the revolutionary government was the 5 Libra de Oro 
(Figure 5) which used a substrate of white paper, 160 mm x 83 mm in size. The front depicts a soldier on horseback 
in the middle, printed in blue with a yellow underprint and red 
overprint of the serial number and the printer’s name. The back depicts 
a soldier playing a bugle at the center and is printed in yellow. The 
note is dated 1 Oct 1921 and has printed signatures of Cervantes and 
de los Heros. Notes are found with an embossed seal on the front and 
there are varieties with and without a purple hand-stamp of the seal on 
the back. The Standard Catalog of World Paper Money (SCWPM) by 
Krause Publications records this in Vol. 3, Specialized Issues under 
Peru as P#S607. There are no hand-stamp varieties recorded in the 
SCWPM, and as of this date, the Banknote Book by Greysheet omits 
all of the Loreto notes from their catalog. 
The SCWPM notes two different varieties for the 1 Libra 
de Oro. Both varieties are printed by El Oriente on white paper, 145 
mm x 75 mm in size, and dated 1 Oct 1921. Both varieties have the 
same basic design with an angel depicted on the front left in black ink 
on a red underprint. The back is the coat of arms at the center, printed 
in red. The first 
variety, without a series and embossed seal, is designated as P#S606a 
(Figure 6) while the second variety with Series B and embossed seal 
is designated as P#S606b. Both varieties have serial numbers printed 
in black ink, and found with a purple hand-stamp of the seal on the 
back. It is presumed, but not confirmed, that series B was from the 
second issuance of the notes. 
 The ½ Libra de Oro, 
designated as P#S605 
(Figure 7) was also 
printed 1 Oct 1921 by El 
Oriente on white paper, 
but smaller in size  only 
139 mm x 67 mm in size. 
The front of this note 
depicts an effigy of an 
Inca Man at the center printed in black with a gray underprint. The printer 
name and serial number are in red ink. The back depicts the coat of arms 
at the center, and has a purple hand-stamp of the seal. Varieties are found 
without a series, and those with series B, the latter presumably from the 
second issuance. The SCWPM does not differentiate these varieties. 
Figure 5. 5 Libras de Oro P#S607  
(Heritage Auctions archives photo). 
Figure 6. 1 Libra de Oro P#S606a (author photo).
Figure 7. ½  Libra de Oro P#S605 (author photo). 
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 The most common “Cervanteros” note found in this series is the 1 Sol, designated as P#S604 (Figure 8). This 
note was printed by El Oriente on orange paper, 107 mm x 61 mm. This 
can be found with series A, B, C and D and all dated 1 Oct 1921. The 
front depicts a native warrior at the center, and the back depicts a seated 
allegory of Justice at the center. The front is printed in black ink for the 
design with red for the serial number and printer. The back is printed 
in black ink. These notes have embossed seals and purple hand-stamps 
of the seal on the back. The SCWPM does not differentiate among the 
different series. 
 The lowest denomination Centavos notes of this series all use 
the 1 Sol design on the front and are the same size, but are printed on 
poor-quality tan or off-white paper that seem to have not survived as 
well as the other notes since they are less often found for sale. The front 
of the notes are over-printed with the printer name, series, serial 
number and the correct denomination in different colors. The 10 
Centavos note uses brown ink with “VALE 10 CTVS”, the 20 Centavos 
note uses red ink with  “VALE 20 CTVS” and the 50 Centavo note uses 
green ink with “VALE 50 CTVS”.  
 The back designs differ from the 1 Sol note and show “Vale 10 
Ctvs”, “Vale 20 Ctvs” and “Vale 50 Ctvs” across the center of the note with large numerals, and corresponding text 
at the top and bottom spelling out “VALE 10 CENTAVOS”, “VALE 20 CENTAVOS” and “VALE 50 CENTAVOS” 
for the three denominations along with the usual purple hand-stamp of the seal. The SCWPM designates these as 
P#S601, P#S602 and P#S603 respectively (Figure 9). These small denomination notes also have series, embossed 
seal and hand-stamp variations, none of which have been 
distinguished in the SCWPM. The 10 and 20 Centavos notes can 
be found with either series A or series B varieties, while the 50 
Centavos note is only found without a series printed on the note. 
 The issuance of these revolutionary banknotes was 
unique in the history of Peru. While the Federal Republic of 
Loreto was short-lived, it has provided collectors with a small 
set of interesting “Cervanteros” banknotes that reflects its 
culture and interesting history. 
 
 
 
 
REFERENCES 
“Augusto B. Leguía”, Internet Source, Wikipedia, dated 10 Sept 2024, accessed 2025 from 
https://en.wikipedia.org/wiki/Augusto_B._Legua. 
César Corrales López, Colección Billetes del Perú, Fascículo 21: Cheques Provisionales del Perú (Billetes Los Cervanteros) 1921 (Lima, 
Peru: Peruvian Banknote Service, 2012). 
Grández Vásquez, Carlomagno, "Las Revoluciones en Loreto", Internet Source, La Región, dated 31 Aug 2013, accessed 2025 from 
https://diariolaregion.com/las-revoluciones-en-loreto/. 
“Guillermo Cervantes”, Internet Source, Wikipedia, dated 2 May 2024, accessed 2025 from 
https://en.wikipedia.org/wiki/Guillermo_Cervantes. 
Humala Tasso, Antauro. "El Nacionalismo de Iquitos Jamás fue Separatismo", Internet Source, Historia Ollanta, dated 27 Jan 2016, 
accessed 2025 from https://archive.ph/VIssN. 
“Peru, Iquitos Revolution”, George S. Cuhaj, editor, Standard Catalog of World Paper Money, Vol. 3 Specialized Issues, 12th Edition 
(Iola, WI: Krause Publications, 2013), pp. 913-914. 
“Peru, Iquitas Revolution”, Internet Source, Heritage Auctions, accessed 2023 from https://www.ha.com/. 
“Third Federal State of Loreto”, Internet Source, Wikipedia, dated 1 Apr 2025, accessed from 
en.wikipedia.org/wiki/Third_Federal_State_of_Loreto. 
Figure 8. 1 Sol P#S604 (author photo). 
Figure 9. 10, 20 and 50 Centavos P#S601, P#S602 and P#S603 
(Colección Billetes del Perú photo). 
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If you enjoy paper money, visit greysheet.com for up-to-date news, pricing, and research on U.S. and world-wide bank notes.
The Georgia Weekly Notes for the County of Merriwether in May 1862:
Worth Their Weight in False Teeth 
By Charles Derby 
In 1862, the County of Merriwether
1 was like many other counties in Georgia and the rest of the South.
The War was in its second year, lasting longer than many had imagined. Specie was nonexistent and even paper 
money was scarce. So, Merriwether County did what others did: they printed their own money. Inferior 
courts were the major organ of county government in Georgia at that time, and among their responsibilities 
were assessing and collecting taxes, supervising the treasurer, and printing money. The Inferior Court of 
Merriwether County authorized the printing of notes, and the county treasurer signed them. Like other Georgia 
counties, Merriwether, with its government seat in Greenville, looked to the proprietors of newspapers to print 
their notes, since they used their presses not only for printing newspapers but as job offices for the printing 
needs of the townspeople. 
The best known 1862 notes issued by Merriwether County were printed by “H. P. Hill & Co., Printers, 
Griffin, Ga.” These colorful notes of denominations $10, $5, $2, $1, 50¢, and 25¢ were printed by Henry Hill
2 
who operated one of the largest and more established printing establishment in Georgia and even beyond. For 
example, in 1863, he published a national publication, The Confederate States Railroad and Steamboat Guide, 
with schedules in the Confederate States. Being located in Griffin only 35 miles from Greenville, he was an 
obvious choice to print notes for the County of Merriwether. Hill’s Merriwether notes were issued in July-
October of 1862. During this same time, Hill also printed paper money for the counties of Butts, Harris, Jasper, 
and Spalding, as well as private scrip for Augustus Merritt of Griffin and B. A. Wright, the sutler of the 30th 
Regiment of Georgia volunteers. An  example of Hill’s notes for the County of Merriwether, a $5 note issued 
September 6, 1862, is shown in Figure 1. 
Figure 1. Note  printed by  H. P.  Hill  &  Co.  for  the  County of  Merriwether.  Courtesy of Heritage Auctions. 
But before Merriwether County had contracted with Hill to produce its notes, it had turned to a 
hometown printer at the local Greenville newspaper, The Georgia Weekly. These notes had the imprint 
“Georgia Weekly Print.” and, with one exception, were hand signed and issued May 12 and 15, 1862 – 
two months before the first of Hill’s notes. Compared to Hill’s notes, these Georgia Weekly Print notes were 
colorless, simple in design, and crude in production. An example is shown in Figure 2. 
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This article is about these Georgia Weekly Print notes: how they came to be, the men who made them, 
why their run was quickly supplanted by Hill’s notes, and why except for false teeth, they might not have been 
printed. 
Notes from The Georgia Weekly Print 
Nine types of Georgia Weekly Print notes are illustrated in Figures 2 and 3. Six of these are listed in Georgia 
Obsolete Currency
3
, and the others are listed in Heritage Auctions. Figure 3 shows denominations of $10, $5, $3, 
$2, $1, and 5¢. Figure 2 shows a “hybrid” error note: it is $2 note with “2” on the right end and “TWO 
DOLLARS” in the center but with “1” to the left. All of these notes are hand signed “D. Ellis Tr.” and hand 
dated between May 12
th and 15
th
, with one exception – the 5¢ note was dated Sept. 26. 
These nine notes can be classified into four varieties. One variety is shown by the top three notes on the 
left – $10, $2, and $1 denominations – which have the following features: “THE COUNTY OF 
MERRIWETHER” in large font across the top; a vignette of the classical figure of Ceres, the Roman goddess of 
agriculture and harvest, holding the wheat harvest, on the left end; the denomination in large font to the right and 
small font to the left; the plate letter “A” in bold font at the left and right above “THE COUNTY OF 
MERRIWETHER”; the “Georgia Weekly Print.” imprint at the bottom left; and “Receivable for County Dues” 
vertically to the right of Ceres. 
Figure 2. Note printed by Georgia Weekly Print for the County of Merriwether. Courtesy of Gary Doster. 
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A second variety is shown by the top three notes on the right – $5, $3, and $2 notes – with the 
following features: “THE COUNTY OF MERRIWETHER” in smaller font across the top; a railroad engine 
vignette on the left end; the denomination in same-sized font on the right and left; the plate letter “A” in 
flowery font immediately to the left and right of “THE COUNTY OF MERRIWETHER”; the “Georgia 
Weekly Print.” imprint vertically at the right end (sometimes trimmed off); “Receivable for County 
Dues” at the top above “THE COUNTY OF MERRIWETHER” (notice that the $2 example in this variety 
is missing “Receivable for County Dues,” probably representing an error); and a sack of produce to the right 
below the denomination. 
The third variety is represented by the $1 denomination at the bottom right, and it differs from 
the second variety in two ways: it has a barrel rather than a sack below the right denomination; and it has a 
Greek mythological image of Hope (Elphis, personified as a young lady bearing flowers, according to 
Heritage Auctions
4 rather than the railroad engine as the vignette to the left). 
The fourth variety is the 5¢ fractional note which is smaller and, though missing the left end, clearly differs in 
many features from the others. 
The Georgia Weekly Print notes from Merriwether are primitive, unoriginal, and poorly produced. The 
vignettes used in  these notes  are symbolic of qualities important to Southerners: agriculture, commerce, 
transportation, and hope. The vignettes were not original designs but were copies of vignettes designed before 
the Civil War. This was typical of notes produced in the South, especially in small communities, during the war
5,6
. 
Figure 4 illustrates this point. The left pair of images is of Hope, and the right a railroad train, and the left 
image in each pair is from a Merriwether note. 
Figure 3.  Georgia Weekly Print.  issues for the County of Merriwether. Courtesy of Gary Doster and Heritage 
Auctions. 
Figure 4. Two pairs of vignettes. In each pair, 
the left example is from a Georgia Weekly 
Print Merriwether note: the $1 note in Figure 
3 for Hope, and the $5 note for the train.  
The other Hope is from Bank of St. Mary’s, 
Georgia, $10 note from 1846, and the right 
train is from Alabama & Tennessee River 
Rail Road Company, Selma, Alabama, 50 
cent,  January 1862, R-290-4. Courtesy of 
Gary Doster and Heritage Auctions. 
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The Georgia Weekly Newspaper and the Printing of these Notes 
The four men associated with the May 1862 Merriwether notes – three with The Georgia Weekly and one 
representing Merriwether County – came to Greenville in 1861 from very different backgrounds and experiences. 
The founder, proprietor, editor, and co-publisher of The Georgia Weekly was William Henry Peck, age 30. The 
co-publisher and founding printer for The Georgia Weekly was Sylvanus De Forrest Lines, 31 years old. Charles 
Wells was the 16- y e a r - o l d  assistant printer working with Lines. Finally, there was David Wells,  age 45, 
Treasurer and Inferior Court representative for the County of Merriwether, the only long-term resident of 
Greenville. 
The Road of Four Men to Greenville and The Georgia Weekly Notes 
William Henry Peck. William Henry Peck was by far the most accomplished of the group, already 
with a national reputation when he came to Greenville, and eventually achieving  fame  and  wealth  as  a 
Southern  novelist,  professor  of  literature,  college president, and, of course of central importance in our story, 
newspaper  proprietor, editor, and creator of obsolete currency from the County of Merriwether
7, 8
. Peck was 
born on Dec 30, 1830, in Augusta, Georgia, where his father was a prosperous merchant. Peck did not live 
there long. By the age of 7, he was sent to New Haven, Connecticut, to boarding school, under the care of 
his grandparents. Five years later, at the age of 12, he moved with his father and family to the Florida wilderness. 
The U.S. Congress passed the Armed Occupation Act, which encouraged settlement in central Florida, and 
Peck’s father took advantage of it to buy land. The two years that young William lived there had a great 
impact on his life, helping to shape stories he would later write and even drew him back there in the last years of 
his life. By the time he was 15, it was time for William to have a proper education, so in 1845, he became a 
student in Georgetown, Kentucky, first at Georgetown College and then as a cadet at the Western Military 
Institute. From 1848 to 1849, he made a series of moves: from Kentucky to Alabama, then New Orleans, 
Washington DC, Cincinnati, back to Washington DC, and finally to Cambridge, Massachusetts, where he 
attended Harvard University and graduated with undergraduate and master’s degrees. In 1854, he married 
Monica Blake (with whom he eventually had 7 children) and became 1
st Assistant at the New Orleans public 
school. Two years later, he became the school’s principal, but by the end of that year, he was appointed Professor 
of Oratory, Elocution, and Belles-lettres at the University of Louisiana (now Tulane University) in New Orleans. 
In 1857, he published his first major work, Antoinette de Bordelaire, A Tale, followed in 1859 by The Brother’s 
Vengeance. With his writing career beginning to surge, he moved to New York to concentrate on his craft of 
writing. In 1860, with secession and war in the air, Peck decided to move to the South that he loved and 
supported, and he landed in Atlanta. There, he started the literary magazine, The Georgia Weekly. 
Figure 5. Georgia Weekly Publishers William Peck, left and Sylvanus Lines, center).  Newspaper masthead, right. 
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Sylvanus De Forrest Lines. A treasure trove of information about Sylvanus 
Lines comes from the diaries and letters of his wife, Amelia Jane (Jennie) 
Akehurst9, 10. From Jennie’s courtship with Sylvanus beginning in 1857, through 
their marriage in 1860 till her death in 1886, her writings provide unique insight 
about their activities and lives, including during the period of most interest for 
this paper – the printing of the Merriwether County notes in 1862. Sylvanus was 
born in New Haven, Connecticut, in 1829. He trained as a printer there but relocated 
to Atlanta for job opportunities. Dyer 
9 calls Sylvanus “amiable” and from Jennie’s 
writings he certainly seems so, as well as hard-working, adaptable, and committed 
to his family and career. Jennie was born in England in 1827, and two years later 
moved to Clinton, New York, where she was educated to be a teacher.  She moved 
to Georgia in February, 1857, also inspired by job opportunities and encouraged by 
Anna Maria Lines Akehurst, Jennie’s sister-in-law and Sylvanus’ cousin. Maria, 
serving as the matchmaker, soon introduced Jennie to Sylvanus. Jennie wrote, 
“I like Mr. L. very much and hope he formed as good an opinion of me as I did 
of him.” They did get along well, despite Jennie’s concern that “Mr. L. asked my age, and when told appeared 
surprised as is always the case when I tell my age; for people always take me to be four and even six years 
younger than I am. Expect Mr. L. will cut my acquaintance now he knows how aged I am.” Jennie was two 
years older than Sylvanus, but despite her fears and Sylvanus’ living in New Haven from November 1857 to 
November 1858, they continued to court through letters. In late 1858, Sylvanus returned to Georgia – the town of 
Fayetteville – where he worked for the Fayetteville Academy (later Seminary), while Jennie taught in nearby 
Covington. They married on August 11, 1859, in Oxford, and lived in Fayetteville till January 1860. They 
made a series of moves: Newnan till May 1860 (where Sylvanus worked for the Southern Literary Companion), 
then Atlanta, then a one-month stay in Marietta (working at the Marietta Advocate, published by William 
Henry Hunt Jr.), then back to Atlanta, till they moved to Greenville. In November 1860, William Peck offered 
employment in Greenville to both Sylvanus and Jennie. The offer looked good, both in job potential and salary: 
Sylvanus would be newspaper and job office printer at The Georgia Weekly, and Jennie would teach at the 
Female Masonic Institute. Jennie was reluctant to leave Atlanta (“Atlanta is the only place I want to live in Ga. 
A country town has no attraction whatever for me”), but Sylvanus thought it a good business decision, so 
on December 29
th, they decided to move to Greenville. 
Charles W. Wells. Charles Wells was born ca. 1844 in Jasper, Georgia11. In 1850, at age 5, he was in Pike 
County. By 1860, he was living in Atlanta with his family. His father John operated a family grocery, and 
Charley was already working as “office printer.” Sylvanus apparently recruited Charley for the move to 
Greenville. 
David Ellis. Of the four men associated with the May 1862 
Merriwether notes, only one lived  in  Greenville  for  
more  than  three years. David Ellis was born May 2, 1817, 
in Iredell County,  North Carolina
12
. He moved to 
Greenville in 1841 at the age of 24 and remained there 
for the rest of his life. Ellis worked as bookkeeper and 
general manager of the Howard Hotel, located in the store 
of Judge Myron Ellis. In 1850 at the age of 32, he was 
well established in Greenville: he was partner in the 
merchant business of Robinson, Ellis & Co., owned 
$1800 in real estate, had a 20-year-old wife, Martha, and 
purchased a home for his family (Figure 7). Business only 
got better. In 1858, he became sole proprietor of his dry good store after his partner James L. Robinson died 
and partner Judge John Robinson moved to Montgomery, Alabama. By the time Peck and his team were 
Figure 6. Jennie Lines. 
From Dyer 
9. 
Figure  7.  David  Ellis  house,  purchased  by him in 1850. 
From Pinkston 
13
 
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preparing to print Merriwether notes, Ellis was not only a successful businessman but a civic leader who 
served on the Inferior Court and was Treasurer of the County of Merriwether. 
The Making of The Georgia Weekly and the Merriwether Notes 
Sylvanus and Jennie arrived in Greenville on January 11, 1861, after Peck and his family. Peck had rented 
a hotel for housing the Lines – a “dreary dilapidated old building” according to Jennie. The print office 
consisted of two rooms joining the hotel. Sylvanus and Jennie  immediately began respective  jobs, and by 
early  February The Georgia Weekly was almost out. On February 5th, Jennie wrote, “Pour Sylvanus sat up all 
night, also Mr. Peck and Mr. Wells. They all looked weary and sleepy this morning. They accomplished 
their task: The Georgia Weekly is issued at last. Success to it and its faithful, energetic enterprising and 
able Editor and publisher.” Sylvanus and his team continued to toil; two weeks later, Jennie wrote: “Sylvanus is 
hard at work in the office. Poor man he is having a hard time to get The Georgia Weekly started. Charley [Wells] 
is better to-day, but not able to work.” 
Peck’s vision for his newspaper was, as stated on the masthead of each issue, “Devoted to Southern 
Literature, News, and General Information.” Peck described the origin of The Georgia Weekly in a column in 
its first issue, on Wednesday February 6, 1861. Peck started The Georgia Weekly in September, 1860, not in 
Greenville but in Atlanta, and not as a newspaper but as a literary magazine for Southern writers. But the U.S. 
presidential election in November disrupted Peck’s plans, since “the political excitement became so intense as to 
seriously injure every kind of business, and especially that 
of periodical   literature.”   Peck   decided   to move to 
Greenville to become President of the Female Masonic 
College and there he found that Greenville lacked a 
newspaper. So he decided to “re-animate the drooping 
gazette; and once again, though somewhat changed in 
style and character, The Georgia Weekly is launched upon 
the perilous sea of newspaperdom – devoted now, as 
then, to the advancement of Southern interest and 
Southern Literature.” 
Peck asked Merriwether residents for their patronage 
and subscription of his newspaper, by offering it as  “a  
welcome friend in every Southern home” and also by 
soliciting “literary contributions from our readers.” He 
later used another tactic to appeal to people to buy the 
newspaper – the war and patriotism: “THE GEORGIA 
WEEKLY will contain the latest reliable news from all 
parts of the country and as each of the Companies of 
Volunteers from Merriwether County will contain a 
Reporter to this paper, thereby furnishing an  excellent 
medium  of  correspondence between the SOLDIER AND 
HIS FAMILY AND FRIENDS, it should be in the hands of 
every man in the County.” 
The newspaper also solicited readers to use the 
service of The Georgia Weekly’s Job Office, run by 
Sylvanus Lines: “All those who desire excellent Job 
Printing, such as pamphlets, books, bill-heads, placards, 
cards and posters, should call upon the services of The 
Georgia Weekly Job Office – where every kind of Job 
Printing will be executed with neatness and excellence, 
cheapness and dispatch. This department of The Georgia 
Weekly office is conducted by Mr. S. DeF. Lines, one of the best, if not the best, Job Printers in the South. 
Figure  8.  Advertisement  in  The  Georgia Weekly for 
Sylvanus Lines’ Job Office
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Heretofore the citizens of Merriwether have been compelled to send all such work to the presses of other 
counties, but now Mr. Lines is ready and willing to prove his hand. Give him a call and we warrant more than 
satisfaction.” The newspaper also printed graphic advertisements for the Job Office, as shown in Figure 8. 
The newspaper also solicited for Peck’s main 
business venture, The Greenville Female Masonic 
College. One advertisement even put in a plug for Jennie 
Lines: “The Preparatory and Primary Department of the 
Greenville Masonic Female College is conducted by Mrs. 
Jennie Lines; a lady unusually  qualified for her 
responsible position, and formerly Principal of the same 
Department in the Southern Female Masonic College at 
Covington, Ga., and late Editress of the [Southern] Literary 
Companion.” 
Despite their hard work, The Georgia Weekly   proved   
difficult to become a financial success. Peck urged citizens 
of Greenville to support the newspaper, but times were 
hard. By August 1861, Sylvanus and Jennie were “feeling 
very unhappy & discouraged. Indeed we have reason, 
situated as we are. Never did we strive more earnestly 
to avoid everyt hing in word or action that might cause 
hard feelings & disturbance, and yet we fail; we cannot 
do right; we are not appreciated or understood.” Jennie 
felt shunned by Mrs. Peck and others in Greenville, and by September, halfway through her first pregnancy, she 
resigned her position at the College, writing: “I think Mr. Peck was quite willing to release me, for the school is 
too small for two teachers, either to employ all their time or pay them for it.” By February, 1862, Sylvanus was 
looking for new employment in Atlanta. Things had gotten so bad in Greenville that Sylvanus was being paid 
solely through room, board, washing…and a set of false teeth! Jennie noted that “a set of teeth on Mr. Peck’s 
account…is [Sylvanus’] only chance of getting paid. Now this is certainly an accommodation to Mr. Peck…A 
lady told me that Mrs. P. said she thought it would be better for Mr. P. to have Mr. Lines leave: then he could 
get someone cheaper. Now how could it be better, when 
he pays S. no cash and would have to pay a cheaper 
hand all cash, unless like S. he was unfortunate enough 
to need a new set of teeth. Perhaps she would make him 
advertise for a young man who had decayed teeth…We 
cannot stay after S. gets his teeth paid for.” And leave 
they did, for Atlanta, in March 1862, after only 14 
months in Greenville. Charley Wells replaced Sylvanus 
as printer of The Georgia Weekly. 
Returning to The Georgia Weekly Merriwether 
notes, we are left with a question of who at the job office 
printed them, since they are hand dated May 1862, two 
months after Sylvanus left Greenville and when Charley 
Wells had assumed the role of The Georgia Weekly’s 
job office printer. A reasonable hypothesis is that 
Sylvanus principally produced    the     notes:    he    was    
an  experienced job printer who was highly motivated 
to make money and must surely have pursued every 
possible print job opportunity including printing notes for the County. Furthermore, production of notes from 
negotiating with the County, designing the notes to meet the County’s requirements, producing the plates, and 
printing must have taken time, more than the two month between when Sylvanus left the job office in March 
Figure  9.  Advertisement  in  The  Georgia Weekly for
Peck’s Female Masonic College.
Figure  10.  Advertisement  in  The  Georgia Weekly for 
David Ellis’ dry good store.
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and the notes were signed in May. At the very least, Sylvanus must have had a major  hand  in the  production of 
the notes, even if they were printed by Charley Wells after Sylvanus left Greenville. 
David Ellis’ signature “D. Ellis, Tr.” is on each note. As a member of the Merriwether County Inferior 
Court and as County Treasurer from 1862-1868, Ellis signed the notes, but he may well have had a hand in 
their production as an intermediary between the government and The Georgia Weekly job office. Ellis placed 
his own advertisements in the newspaper (Figure 10). 
The Road After Merriwether 
William Peck. By 1863, Peck realized that staying at The Female Masonic College was not financially 
feasible. Even by February of 1862, Jennie’s diary records that Peck’s wife “wants him to give up the office; he 
told her he would keep it up this year at any cost; she 
replied if he did, she would make it pretty hot for him 
but she seems to be venting her spite on us [Sylvanus 
and Jennie].” So, in 1863, when Peck was offered the 
Professorship of Natural Science and Modern 
Languages at LeVert Female College in nearby 
Talbotton, Georgia (Figure 11), he took the 
opportunity
7, 8
. He also moved The Georgia Weekly 
there and continued its run, despite its lack of financial 
success, because it was so important to him. In 1864, 
while still at LeVert Female College, Peck also took 
charge of the Collinsworth Institute in Talbotton, until 
the end of the War. “[Peck] continued to publish 
during the whole of the War, getting it out without fail 
once a week. It was changed to a folia when paper 
became scarce, and was presented sometimes on 
wallpaper and sometimes on brown wrapping paper. It 
was perforce remarkably strong in its  secession proclivities, else  its  owners, as  he [Peck] said, ‘would have 
walked, not in sackcloth and ashes, but in tar and feathers;  for the country was insane in those days.’” 7
After the War, Peck moved back to New Orleans but lived part-time in New York City, where he was a 
regular contributor to the New York Ledger. During his career, Peck published nearly  90 historical novels in 
the Romance style that was so popular at the time, especially in the South. But the Romance style of writing 
fell out of favor by the late 19
th century, and so Peck and other Romance writers of the South are rarely read 
today. 
Of Peck’s style, James Wood Davidson
14 
wrote in 1869, “Prof. Peck writes with great ease, and 
great rapidity; and for the millions – the blood-and-thunder-loving millions – he gives us strong 
preparations of mingled dangers, dungeons, and daggers; assassination and assignations; lawsuits, 
suicides, and seductions; graves, greed, ghosts, and guilt; skeletons, corpses, and capsules; gorgons, 
spectres, and chimeras dire.” Woods also wrote of Peck that he “is powerfully build, being five feet ten 
in height and weighing 180-190 pounds; is active and lively; speaks much, well, and readily; has black 
hair, beard, and eyes, and dark complexion; wears full beard and moustache in the style known as 
American; and has small extremities.…His chirograph [handwriting] is mercantile, practical, fluent, 
rapid, legible, not precise at all, persistent, eager, restless, ready.” Peck’s success at the time is 
undeniable. At one time, the New York Ledger paid Peck $5,000 per story, and he published several 
stories there per year. In fact, one of Peck’s prized possessions, which he displayed in his house, was a 
gold pen that he said earned him $13,000 in one year. 
15 Two of Peck’s most famous novels were “The 
Figure 11. Building at LeVert Female College in
Talbotton, where Peck was on the faculty in 1863-1865.
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M'Donalds; or, The Ashes of Southern 
Homes. A Tale of Sherman's March (1867), 
and The Confederate Flag on the Ocean. A 
Tale of the Cruises of the Sumter and 
Alabama (1868). The M’Donalds (Fig. 12) 
may have been inspired not just by an obvious 
market of post-War Southerners but by his 
own experiences when he was teaching in 
Talbotton while Sherman was burning nearby 
Georgia and by Peck’s sister's family who 
lived in Augusta. His late popular works were 
Wild Redburn, an Indian Tale (1877) and The 
Stone-Cutter of Lisbon (1889). Another novel 
was Red Butler, or the Warrior of Lake 
Champlain (1870), and one might reasonably 
wonder whether Margaret Mitchell was an 
avid reader of Peck’s novels and was inspired 
by Peck’s Red Butler when she named her own 
lead character Rhett Butler. Late in his life, 
Peck and his wife, who was ailing and 
yearned for a warmer climate, moved to Florida – Courtney, on Merritt Island, near the Indian River. His 
wife died in September 1891 during a visit to Atlanta. William died five  month  later on February 4, 1892, in 
Jacksonville, Florida, and they are both buried in Westview Cemetery in Atlanta. 
Charles Wells. When Lines left The Georgia Weekly and Greenville for Atlanta in March 1862, Wells 
stayed   behind   to continue printing The Georgia Weekly and to run the Job Print office. In this capacity, in 
1863, he co-published Peck’s only novel released during the war, The Conspirators of New Orleans, or The 
Night of Battle, about intrigue in New Orleans during the War of 1812 (Figure 12).  By the end of the Civil War, 
Wells was back in Atlanta, where he worked as a printer for the rest of his life. He married Matilda M. Thrash: 
their marriage date is uncertain, but she was born in 1847 in Monroe County, Georgia, lived in Atlanta by 
1859, had four children with Charley, and died in 1909
11 Charley died on February 13, 1900, and is buried in 
Oakland Cemetery in Atlanta next to Matilda.
11 
David Ellis. Ellis lived in Greenville from 1850 until his death in 1891. If the war hurt Ellis financially, 
he quickly recovered, because by 1870 he reported $2,000 in real estate and $1,500 personal estate. He was a 
pillar in the Greenville community: he had a prosperous business, had two wives and several children, and 
continued to serve as county treasurer for several years after the war. 
Sylvanus Lines. Sylvanus and Jennie moved back to Atlanta in March 1862. Sylvanus continued as a 
newspaper and job office printer in Atlanta during the war. Jennie wrote on February 22, 1864, that “Sylvanus is 
now foreman of a newspaper.” He was elected president of the Atlanta Typographical Union in 1864, and he 
led a work strike calling for higher wages from Atlanta newspapers
16
. As a newspaperman, Lines was exempt for 
serving in the regular army. But after he moved to Atlanta and the fighting came closer to home, Lines served 
in the local forces,  as  did all able men.  In August 1863, he mustered into the Confederate 3rd Battalion 
State Guard under Capt. S. P. Bassett’s Company, Atlanta Press Guards, “for local defence, to serve within 
the limits of Fulton County, Ga…for six months August 3, 1863.”
17 Then, in June 1864, when Sherman was 
knocking on Atlanta’s door, he served in the Company of Confederate Capt. Albert Roberts. But the Battle 
of Atlanta drove Jennie and Sylvanus from Atlanta in July 1864, and they lived with Maria Lines in her home in 
Columbus, Georgia, for the remainder of the war. 
Figure 12. Two of Peck’s novels: The M’Donalds (published in 
1867) and The  Conspirators of New Orleans (printed in 1863 in 
Greenville with Charles Wells as co-publisher). 
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In September 1865, Sylvanus and Jennie left Georgia and the South, and moved back to Sylvanus’ 
hometown of New Haven, Connecticut. But work was elusive for Sylvanus in Connecticut, and the 
opportunities for him in the South seemed brighter, so he returned to Georgia while Jennie and their two 
children stayed in New Haven. Sylvanus was in Macon, Georgia, by 1868, printing for J. W. Burke & Co., a 
major printer of all materials including books, pamphlets, and even post-war paper money, and lived there 
for the remainder of their lives. Figure 13 shows a five-cent note printed by J. W. Burke & Co. for the 
County of Monroe in 1869, while Sylvanus was working for the company, and we can imagine that he had a 
hand in its production given his past experiences. 
Jennie and Daisy left New Haven in 1869 to join Sylvanus in Macon, and they remained in Macon for the 
rest of their lives. Sylvanus, ever trying to improve his financial situation, succeeded in establishing his own 
printing office, together with Bridges W. Smith as editor and another partner named Wing, by August 1871. 
For two years, they published two newspapers in Macon: the Enterprise, printed every evening except Sundays; 
and Our Saturday Night, published of course only on Saturdays
18
. But the two-year run of these papers 
ended in 1873, and by 1874 the team of Lines, Smith, and Wing were publishing a new newspaper, the Middle 
Georgia Argus, 
18 in Indian Springs, Butts County, Georgia, 35 miles from Macon. This paper was a success, as 
it was printed for 20 years, but Sylvanus never realized such a long run – he died after its first year, in 1875. 
Jennie and Daisy, who never married, remained in Macon. Jennie died in May 1886, destitute, and is buried 
in an unmarked grave in Macon. Sylvanus is buried in Atlanta’s Oakland Cemetery with his three children: 
Herbert and Lillie were buried there first, Sylvanus joined them upon his death, and Daisy in 1912, with the 
site marked only by Daisy’s name. 
References and Footnotes 
1) Meriwether County, established on December 14, 1827, was named after David Meriwether, a Georgian, Revolutionary War general,
and U.S. congressman. In its early days, the county was usually spelled “Merriwether,” as was the case for these County of Merriwether 
notes. Since that time, the citizens have settled on “Meriwether.” 
2) Cobb, KyL T. Jr. 2016, Griffin, Georgia: We Could Have Been Famous. Volume 2: Heroes, 1890-1949. Lulu Press, Inc.
3) Anderson,     Carl     A.,     and     Marsh,     David.     Georgia     Obsolete     Currency. www.davidmarsh.com.
4) https://currency.ha.com/itm/obsolete-banknotes/st-mary-s-ga-bank-of-st-mary-s-10-nov-16-1846-ga-265-g4b-pcgs-fine-12-
apparent/a/241622- 90538.s?ic4=GalleryView-Thumbnail-071515) 
5) Bowers, Q. David. 2006. Obsolete Paper Money: Issued by Banks in the United States 1782-1866: A Study and Appreciation for the
Numismatist and Historian. Whitman Publishing, LLC: Atlanta, Georgia. 
6) Doty, Richard. 2013. Pictures From a Distant Country. Seeing America Through Old Paper Money. Whitman Publishing,: Atlanta, GA
7) Harvard University, Class of 1853. Report, 1849-1913, Issued on the 60th Anniversary for the Use of the Class and Its Friends.
Commencement 1913. 
8) White, James T. 1916. The National Cyclopaedia of American Biography. Volume 15. James T. White & Co., New York.
9) Dyer, Thomas, ed. 1982. To Raise Myself a Little. The Diaries and Letters of Jennie, a Georgia Teacher, 1851-1886. Amelia Akehurst
Lines. The University of Georgia Press, Athens. 
Figure 13. Note printed in 1869 by J. W. Burke & Co. of Macon, Georgia, when Lines was 
a printer for that company. From Heritage Auctions. 
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10) Akehurst/Lines family papers, 1850-1914. University of Georgia. Special Collections Libraries.
11) Files accessed through Ancestry.com
12) Meriwether County, Georgia – Newspaper Obituaries: December 9, 1887 - December 16, 1892.
http://www.usgwarchives.net/copyright.htm 
13) Pinkston,  Regina  P.  1974.  Historical  Account  of  Meriwether  County  1827-1974.
Meriwether Historical Society, Inc., Meriwether County. 
14) Davidson, James Wood. 1869. The Living Writers of the South. Carleton Publisher, New York.
15) Avery, Isaac Wheeler. 1881. The History of the State of Georgia from 1850 to 1881.
Brown & Derby, Publishers, New York. 
16) Venet, Wendy Hamand. 2014. A Changing Wind. Commerce & Conflict in Civil War Atlanta. Yale University Press, New Haven.
17) U.S. Government Civil War files accessed through www.fold3.com
18) Chronicling America. Historic American Newspapers. chroniclingamerica.loc.gov
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U N C O U P L E D : 
PAPER MONEY’S 
ODD COUPLE 
Joseph	E.	Boling	 Fred	Schwan	
Conspiracy in Guernsey 
Germany occupied the Channel Islands 
(Guernsey, Jersey, and several smaller ones) on 30 June 
and 1 July 1940, a week after the fall of France. The 
islands are much closer to France than to Britain, and 
were not defensible by British forces. Immediately 
upon occupation the Germans circulated their notes, the 
Reichskreditkassenscheine that were used in most 
occupied regions. These circulated alongside the local 
currencies (each of Guernsey and Jersey had their own 
fiscal issues—British sterling was not in general use). 
As in any turbulent period, the cash that the citizens 
most trusted (their own) went underground, and 
commerce became difficult because of a lack of small 
change.  
By early 1941 the States’ governments requested 
permission to print small-change notes (denominated in 
pence and shillings). Permission was granted provided 
that £5000 of higher denomination notes be withdrawn 
and the new issue restricted to that amount. The 
withdrawn notes would be the issues of the local banks 
that had circulated prior to the war. Worn and soiled 
notes that had already been withdrawn due to wear and 
tear were pulled from the banks’ vaults and overprinted 
as having been withdrawn from circulation. The first of 
the small change notes for Guernsey are dated 25 
March 1941; Jersey notes are not dated.  
That first lot of £5000 did not solve the problem. 
By Fall, authority to print another £5000 was requested. 
This time the Germans demanded that the equivalent in 
British sterling be handed over. Those notes had to be 
rustled from the local banks. We have no record of what 
kind of collateral was provided, but the notes were 
found and again overprinted.  
See Boling page 371  
Multinational matches 
Steve Feller and I were chatting on the phone 
recently. Actually, it was more like we were talking 
over each other. He about Confederate treasury notes; I 
about military payment certificates. I nearly dropped 
the phone when he mentioned that he had a Confederate 
note with serial number two. TWO! wow. 
What is so special about a Confederate, or any, 
note with that number? Well, we all know that 
collectors pay attention to serial numbers and like to 
collect the low numbers. Obviously number one is the 
most popular— we have discussed that here in the past.  
While number one is the most popular, it is not the 
scarcest. Indeed compared to the other numbers in the 
first ten, number one is actually the most common in 
collections because that number was often collected 
from the moment of issue, but these facts are not why I 
was so excited about the number two. 
The reason that I was so excited is that one of my 
favorite military payment certificates is a Series 651 
$10 with serial number two! I like matched numbers. I 
think that most collectors do, but I think that I am one 
of the few who appreciate what I call multinational 
matches. These are notes from distinctly different 
issues with matching numbers. 
I was so excited about this multinational pair that 
I forgot that I had a pair of twos before the call from 
Steve! Yes, in addition to the number two MPC, I have 
a national bank note from my home county with that 
number. Specifically, it is a National Bank of Elmore, 
Ohio Series 1902 red seal.  
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I love it. Actually, I love both of my twos. Heck, I 
also love Steve’s number two too. Too bad that it is not 
mine (I also collect homophones). 
Steve is full of surprises. When he sent the images 
of the number two Confederate note, he included three 
more low-numbered Confederate notes: 5, 6, 8! 
You certainly remember that Joe collects notes 
with serial number eight. I have found a few eights for 
him over the years (decades), I hope that he will share 
some of his eye candy eights here. I do not have any 
fives or sixes. Neither do I have an eight to share with 
you, but I did find an image of a 500 pesos VICTORY 
note serial number eight. Sadly, the image is black and 
white, but the note is important--and cool--enough to 
include in spite of that.  
The king of matched serial numbers must be Larry 
Smulczenski. He has at least a hundred serial number 
39 notes. It all started with the HAWAII note shown 
here. Like me he likes his 39s to be on military notes 
that he would otherwise collect, but he takes a wider 
view than I do and will take any 39.  
Logan Talks is serial number royalty. He has the 
only regular issue MPC serial number one (Series 471 
five cents.)  
He has found many low and interesting (make that 
fascinating) notes. In addition to low, matching and 
other fancy numbers. I called Logan to discuss some 
aspects of this column. Specifically, I expected that he 
had a serial number two note that we might be able to 
use for this column. Logan was excited to learn about  
the twos held by Steve and me, but he does not have a 
two. We had a nice chat about low and other fancy 
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numbers. We agreed that we would collaborate on an 
additional story on the subject soon. 
We will conclude with a multinational serial 
number one set. To do justice to the special nature of 
number one serials, the others need to be suitably 
special. What is special enough? First of course is 
Logan’s serial number one MPC. Next we have an 
astonishing note. The serial number one Guadeloupe 
1000 franc (printed by the E. A. Wright Bank Note 
Company). Because this note has conventional and 
“French system” serials, one appear to have been 
sprinkled haphazardly over the note. As with the 
VICTORY note above, I am sorry that I have only a 
black and white image of this note. In this case though, 
I own the note, but cannot find it!  
When I find that note, I will tell you the long story 
of obtaining this great note. Finally, we will include a 
pieces from far out on the multinational scale. It is a 
Series E war bond. More specifically it is a $10 bond. 
These were called “soldiers’ bonds.” This is the very 
first “soldiers’ bond”! 
The bond was (and is) accompanied by a 1944 
letter to Colonel R.K LeBrou who was chief of the 
Finance Department, United States Army. 
I hope that you like this set of multinationals! I 
would be happy to see any additional matched sets that 
you have or comments on the subject: 
fredschwan@yahoo.com. 
Boling cont. 
This stymied any German plans to use the notes 
for their own purposes (though obviously £5000 was 
not going to buy much in armaments or chemicals).  
Now things get really murky. There is a report that 
the sterling was to have been sent to a German office in 
Paris. Maybe the obvious cancellation overprints made 
that a non-starter. Whatever happened, the cancelled 
notes stayed in the islands until after the war. After 
liberation, £2000 were found in Jersey and returned to 
the Bank of England for credit. About 1980 most of the 
remaining £3000 were reportedly found in an 
antiquarian’s shop, also on Jersey. A few dozen pieces 
had apparently migrated into local pockets.  
Reporting at the time was that David Keable and 
his business partner Enid Salter made the notes 
available to collectors—after they had recorded every 
serial number in the hoard (to prevent later opportunists 
from duplicating the cancellation markings and selling 
notes that had not come from the Channel Islands). 
Today those serial numbers are available online on Pam 
West’s site  www.britishnotes.co.uk  under the “News 
& Info” drop-down, then second line. Curiously, recent 
publications do not mention the foresight of Salter and 
Keable in their day. 
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The notes that have come down to us were 
cancelled in two tranches, dated September 18th and 
November 10th, 1941. The text of the overprint is the 
same face and back, with minor varieties in its 
punctuation (a period at the end on the face, or the back, 
or both). The font and color (deep violet) of the 
overprint are identical for both dates. The overprint is 
letterpress, not rubber stamped (and certainly not 
digital). In each case the overprint is turned 90 degrees 
counterclockwise (some crooked ones exist). See 
figures 1 and 2.  
The notes used span three cashiers of the Bank of 
England—Mahon, Catterns, and Peppiatt. Those all are 
the green £1 note as used pre-war (no metallic security 
thread), and extending into the term of the same design 
in blue used during the war (Peppiatt only, with a 
thread).  
Of course there have been fakes made for 
collectors. I am using the backs to show the overprints, 
because the detail shows up better on the less-dense 
back designs. Figure 3 is in the proper color and a fairly 
good duplication of the font (but with noticeably 
thinner letters), and at magnification it is revealed to be 
a rubber stamp. 
 Figure 4 is black, not violet, and not the same font 
at all (look at the letters “c” in “Circulation”). But the 
single best way to quickly check these with the naked 
eye is the numeral “9” in the date. See figures 5-7.  
Figure 5 above left & figure 6 above right. 
Figure 7 below. 
The genuine overprint has a 9 that points out to the left, 
rising from the baseline at a 45-degree angle. Both the 
others have a flat end on the 9, either almost parallel 
with the baseline, or resting flat on the baseline. Most 
eBay lots have enough magnification to be able to see 
this diagnostic.  
Figure 1 above and figure 2 below. 
Figure 3 above & figure 4 below.
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Going back to figures 5-7, figure 5 shows the 
diagnostic ridges that identify a letterpress impression; 
figure 6 shows very little of that (but remember that 
rubber stamping is a variety of letterpress, so there are 
tiny bits of ridges along parts of the impression); and 
figure 7 shows the typical flyers on the edges of an 
inkjet image, and severe stair-stepping along all the 
angles of the character. Figure 7 is a product of the 
Warrington faker—the printer he uses now does a 
better job with those angles, but he is still using black 
ink and it is still inkjet.  
Further evidence of Warrington’s MO is seen in 
figures 8 and 9.  
These are the same note. Figure 8 is the way he 
sold it on 10 June 2018, for the bargain price of £24. 
Evidently the buyer did not like the overprint and 
returned it. The faker then added the FALSIFICAT 
banner and sold it again on 14 October 2018, this time 
for £57. The second buyer would have no recourse.  
Adding one of these false overprints to a common 
note adds a few hundred dollars to the asking price. But 
remember that every serial number of a genuine piece 
is available online. Check out the tables there and 
familiarize yourself with the nomenclature used to 
create them. There are different tables for each signer 
and for differences in the serial blocks (using the 
catalog numbers of West’s book English Paper 
Money). Be vigilant.  
Fred wanted to see some of my serial number 8 
notes. Here are some examples.  
Figure 8 above & figure 9 below. 
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The Alabama Patton Certificates 
(or a State’s Solution to Being Broke) 
By David Hollander 
What Are Patton Certificatesi? 
Following the Civil War the Alabama economy was in financial and agriculturalii shambles.  Consequently, the 
Governor’s highest priorities were the rehabilitation of the state, as well as the welfare of its citizensiii , and re-
admission of the State to the Union. 
Governor Robert Miller Patton (Figure 1), a Whig, was popularly elected eight months after the end of the Civil 
War as the successor to Governor Lewis Eliphalet Parsons, a Republican, who had been 
appointed the provisional Governor of the state by President Andrew Johnson. 
On February 19, 1867, the Alabama Legislature enacted Act Number 615 (Figure 2) 
authorizing Governor Patton to prepare, sign certificates (also called receipts), and 
distribute them in lieu of moneys that had not yet been collected by the state. The Act 
stated that the certificates would be valued at no less than $5 and no more than $500, and 
that the total amount would not exceed $400,000. The certificates were printed by the 
National Banknote Company and are dated “May 1st, 1867.” 
Figure 1. The Official Portrait 
of Governor Robert Miller 
Patton Portrays a Dignified, 
Kindly Person. 
Figure 2: Alabama Act 615 Authorized the
Issuance of Refunding Certificates and
Required the Governor to Sign Them and the
Comptroller of Public Accounts to
Countersign Them. 
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The surviving certificates are exceedingly rare because almost all were redeemed.iv  They are the only post-war 
issues of the State of Alabama. 
 
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 3: This $5 Certificate Was Sold at a Heritage Auction Sale January 10, 2024 for $2,100,00.1 
Figure 5: This Unique $20 Certificate Was Unknown to the Collecting Community Until Circa 2020. It 
Was Sold at a Heritage Auction Sale January 10, 2024 for $4,500.00.1and 1 
Figure 4: This Presumably Unique $10 Certificate and Was Sold at a Heritage Auction Sale January 7, 
2010 for $12,650.001 and Once Again on October 6, 2021 for $3,840.00.1 
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Who Was Governor Patton? 
Robert Miller Patton (July 10, 1809-February 28, 1885) was Alabama’s 20th Governor (December 18, 1865v-
July 14, 1868).  (See Figure 1.) He was born July 10, 1809 in either Russell County, Virginia or Monroe County, 
Virginia (both counties are now in West Virginia).vi  
In 1818 he moved with his family to Huntsville, Alabama. There he attended Green Academy. Later, he 
apprenticed in the family cotton mill founded by his father, William. In 1829 he moved to Florence, Alabama, 
and began a mercantile business that his sons assumed in the late 1850’s. He married 
Jane Locke Braham of Huntsville on January 31, 1832. They had nine children, seven of 
which lived to adulthood. Two of his sons, both Confederate soldiers, perished during 
the Civil War. 
Patton's political career began in 1832 when he was elected to the state legislature. 
He was elected to the special legislature that convened in 1837 in response to the 
financial panic and depression of that year. Although he was a Whig, Patton continued 
to serve in one branch or the other of the state legislature until the outbreak of war. He 
represented the state at the national convention in Charleston, SC, in 1860 and was 
present at the secession convention in Montgomery. Patton opposed secession but 
supported the state's efforts through time and money and as a commissioner for the 
Confederacy. By the war's end, he suffered not only the loss of his sons but the 
destruction of his estate in Lauderdale County. 
Patton represented his county at the constitutional convention in September 1865. He was elected governor in 
November and inaugurated on December 13. Patton worked closely with the assistant commissioner of the 
Freedmen's Bureau, General Wager Swayne. He helped General Swayne procure rations for the thousands of indigent 
families in the state. His greatest contribution was his success in reducing the state debt. He issued "Patton 
certificates" in 1867 to offset state expenses in anticipation of the collection in taxes. 
Despite Patton's efforts, he was largely stripped of his authority in March 1867 when presidential reconstruction 
ended with the passage of the Reconstruction Acts by Congress. Major General John Pope was placed in charge of 
the Third Military District which included Alabama, Georgia, and Florida. General Swayne continued as the 
commanding officer of Alabama. Governor Patton was allowed to remain in office and draw his salary, but he was 
mainly a figurehead, who could do no more than make recommendations to General Swayne. Governor Patton 
remained officially the head of the state until William Hugh Smith became governor in July, 1868.  
After his political career ended, Governor Patton became involved in several commercial ventures to establish 
and build railroads in the state. He also served as a trustee of several schools and colleges, including the University 
of Alabama. He was instrumental in rebuilding the university after it was burned by Federal troops during the war. 
Governor Patton died February 28, 1885 at his Sweet Water Home, Figure 7 (also called Sweet Water Mansion), near 
Florence, Lauderdale County, Alabama, and is buried in Huntsville’s Maple Hill Cemetery, Figure 8.vii 
Figure 7: Sweet Water Home Is in Florence, Alabama. 
Figure 6: In His Later 
Years, Governor Patton 
Appeared Somewhat Gaunt 
Figure 8: Governor Patton Is 
Buried in Huntsville, Alabama
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Footnotes 
i DuBose, Joel Campbell, SKETCHES OF ALABAMA HISTORY, (Philadelphia, Pennsylvania: Eldredge & Brother, Number 17 North 
Seventh Street, Copyright 1901), Page 157. 
ii Brown, William GarroƩ, A HISTORY OF ALABAMA FOR USE IN SCHOOLS BASED AS TO ITS EARLIER PARTS ON THE WORK OF 
ALBERT J. PICKET, (New York and New Orleans: University Publishing Company, Copyright 1900), Page 259. 
iii Ibid, Page 259. Governor PaƩon told the legislature that only about one‐fiŌh the usual grain had been raised, and it was 
esƟmated that 250,000 people were in need of food. 
iv Only four issued PaƩon CerƟficates are known currently…two $5’s, one $10, and one $20. Several proofs exist. 
v Berney, Safford, Hand Book OF ALABAMA: A COMPLETE INDEX TO THE STATE; WITH A GEOLOGICAL MAP, AND AN APPENDIX 
OF USEFUL TABLES, (Mobile, Alabama: Mobile Register Print, Copyright 1878), Page 10. The source indicates that Governor 
PaƩon was inaugurated December 18, 1865, but that Governor Parsons turned over State Government to him on December 
20, 1865. 
vi Webb, Samuel L. and Margaret E. Armbrester, ALABAMA GOVERNORS, A POLITICAL HISTORY OF THE STATE, (Tuscaloosa, 
Alabama: The University of Alabama Press, Copyright 2001), Page 80. 
vii Various references call his residence “Sweetwater Home,” “Sweetwater Mansion,” and “Sweetwater Place.” Governor 
PaƩon’s Last Will and Testament, dated July 18, 1883, calls it “Sweet Water Home.” 
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Excelsior Bank Note Company 
By Roland Rollins 
There is much yet to be learned about this little-known firm.  Some of what is known includes the founder 
(John G. Wellstood).  In New York in the 1840s his first firm was his name. Wellstood joined forces with other 
engravers to form Wellstood, Benson & Hanks (1848-1852), Wellstood, Hanks, Hay, and Whiting (1852-1855), 
and Wellstood, Hay, and Whiting (1855-1858).  Of course in 1858 this trio was one of seven firms forming the 
American Bank Note Company, with 8.2% assigned participation. 
Wellstood later formed the banknote firm the Columbian Bank Note Company of Washington D.C. sometime 
in the 1860s.  The firm was apparently dissolved by the 1870s. The next firm Wellstood formed was the Excelsior 
Bank Note Company; probably in 1875.  The firm was formed “sometime prior to 1 January 18761”.  The firm was 
assumed dissolved by 1880. If you’re noticing a reoccurring theme so far, it would be vagueness of information!  
Excelsior also was in Washington D.C. (1425 New York Ave.), but with an office in New York City at 258 
Broadway as well.  A 5-story building at this address was replaced with an 8 story neo-Renaissance style building 
in 1875 (the TriBeCa). The firm paid $255 on $10,000 accessed real estate to the city of New York in 1879.  This 
would equal to over $297,000 real estate value in today’s value.  New York's official state motto is "Excelsior" 
(ever upward). The motto appears on the state coat of arms, which is featured on New York's state seal and state 
flag.  Since the firm produced a vignette of the New York state coat of arms, a ready name was available. 
One of the reasons so little is known about the Excelsior firm is the complete lack of monetary paper available 
or even known to exist. 
Security Printers Guide published by the now defunct The American Society of Check Collectors has an 
extensive list of printers with notations for the type of financial material each firm produced, including: 
 c - checks, drafts, bills of exchange, certificates of deposit, promissory notes, etc.
 d - bank notes, obsoletes continentals, colonials, fractionals, scrip, etc.
 s - stock certificates and bonds
 o - State and Federal bonds, revenue stamps, stamps, warrants, ration books, etc.  
Excelsior is shown with the date 1877 and both “c” and “d” fiscal products produced.  The only known bank 
notes produced were “at least 8” essays similar to the silver certificates of the time.  Hessler lists 6 of these, while I 
have all 8 attributed in my test note catalogs.  The BEP did examine these and visit the firm, but chose not to utilize 
their services.  This probably had more to do with the BEPs efforts to do all printing “in house” than any perceived 
shortcomings of Excelsior.  The essays are considered unique by Stack’s and command a good value when they 
eventually show up in the market.  The 90 x 216 mm example shown below has changed hands only five times: 
 Harry E. Jones Collection
 Dr. Glenn Jackson Collection, Nasca’s (a
division of R.M. Smythe), June 16, 1990, lot 3251 
 Lyn Knight, August 21-23, 2003, lot 2211
(unsold) 
 Stack's Bowers, Baltimore, 2018, lot 4078, sold
to Joel Anderson 
 Stack's Bowers, The Caine Collection Federal
Proofs and Essays, Part II, Baltimore, 2019, lot 
5053 
 Yale University Art Gallery, New Haven,
Conn. Donated by Leonard C. Hanna, Jr., Class of 
1913 
The Harry E. Jones to Dr. Glenn Jackson was a private sale.  The first public sale from Dr. Glenn Jackson’s 
collection by Nasca netted $500.  That would be about $1,140 in today’s cheap dollars.  By the Stack’s Bowers 
auction of 2019 the price had jumped to $6,600 without fees. 
EXC-1152 
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An Excelsior essay donated to Yale University Art Gallery is this 90 x216 mm note from the same donor with 
the same provenance: 
EXC-1172 
Here’s another example, 1 of 6 Excelsior essays sold by Stack’s at the famed 52 Collection in 2010 for $3,000. 
EXC-1122 
While Dr. Glenn Jackson owned these notes, he exhibited them at the ANA 1976 convention held in New 
York City. The listing cites “nine John G. Wellstood essays of Excelsior Bank Note Co., circa 1877”.  
No known checks, drafts, bills of exchange, certificates of deposit, and promissory notes have been attributed.  
What were NOT listed on the ASCC list were stocks or bonds, but one such a bond is shown here (next page)   
with the vignette “Gleaner No. 3”.   
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Since another vignette, Wisdom #7 (an owl) was later used on a stock certificate produced by Western Bank 
Note Company, it is assumed Western acquired Excelsior’s printing plates.  
Excelsior also printed a grey, black, and green First Mortgage Bond with a train flanked by allegorical female 
and cherub. 
What were also NOT listed on the ASCC list were stamps, but 3¢ Envelope for 1876,  all (Scott U218E), 
Centennial Issue essays exist in green on white, brown on white, red on white, and blue on white; all model, 
lithographed, complete envelopes.  The green, red and blue are 87x149mm while the brown is 94x145mm 
dimensions.  These all last sold for $1,000 to $1,600.  Here is the most expensive of the group. 
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Excelsior did produce one large advertising sheet (356 x 445 mm) – that’s 14” x 17.5”.  Robert Swartz, the 
seller in 2020, noted it had multiple vignettes, counters and cycloid engravings glued to a thin card. Possibly it was 
meant to be used in a presentation or was framed in their office.  The sheet sold for $700 plus fees. It came from the 
Walter Allan collection. 
EXC-1012 
 
It would appear all examples available from Excelsior share two things in common – all are essays and all are 
scarce and thus pricy!  One is left wondering what revenue the firm did incur and what the type of products were 
involved, since it could afford the TriBeCa building! 
 
Should a reader have more information on the firm or samples please email me at currencyden@yahoo.com. 
 
1 – The Engraver’s Line, Gene Hessler, 1993 
2 - Catalog of Printers Promotional Sheets & Test Notes- 19th Edition, Roland Rollins, 2025 
 
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$MALL NOTE$ 
The Unique 307 Blue Seal Star 
By Jamie Yakes 
’ve been fortunate to make discoveries in my numismatic career, many in my focused areas of research. 
When I actively collected small-size fives, I had a few finds with those too. The best was a Series of 1934A 
$5 blue-seal 307 star.* It was unique then, and is still now. I’ll recant that story here. 
I had success cherrypicking notes off eBay to add to my collection. The persona you read about in Cal-
derman’s column, “Cherry Pickers Corner”—I once fit that mold. It was in 2007, around the time of the now-
defunct Chicago Paper Money Exposition that used to be held in Rosemont, Illinois. In fact, I think I was at 
the show when I purchased the note. Anyways, I had the note on my watch list and knew what it was. The 
seller didn’t, and neither did anyone else. I agonized over the days the auction counted down to zero, and 
when it ended, the note was mine. It cost me $125, a pittance for such a popular rarity. It was a wonderful 
very fine, with even wear and that attractive “dirty” paper mid-circulated notes often exhibit. 
I held onto the note as the crown jewel of my set for a few years. By then I’d befriended the late Gerry 
Glasser through our mutual connection, Scott Lindquist. Gerry and I each lived in New Jersey, and he gra-
ciously offered me many opportunities to view his magnificent small-size collection in the comfort of his 
home. His stuff was all fives, and he desired completeness in all his sets. Well, I had one of the notes he need-
ed. Fortunately for him, the timing was good for both of us. 
Around this time I became acquainted with Neil Shafer (may he also R.I.P.), and we began having regular 
discussions about various numismatic esoterica. Depression scrip was one of those topics. I’d just started col-
lecting scrip from New Jersey, and Neil just happened to have a large collection of scarce and rare Jersey stuff 
he could sell to me. But how to get the funds? Well, I contacted Scott, he contacted Gerry, Scott and I did the 
exchange (at a hefty profit for me!), then I turned around and made the deal with Neil. The 307 went to a bet-
ter home, and I ended up with a bunch of great scrip that are still the foundation of my collection. 
I sold most of my small-size notes about the time I made the deal with Neil. After Gerry passed, Heritage 
Auctions sold some of his collection in September 2020 (in Auction 3579), including the 307 star. Graded 
Very-Fine 25 by PMG, it hammered for $4,080. I’m unsure who owns it now, or whether it’s been sold again 
since the Heritage sale. But it’s still unique, even though hardcore five-dollar collectors are surely perusing 
every blue seal with a similar serial number. Someday, possibly, someone will find another one.  
(*Want to know the significance of 307 notes? See “The Mystery of Face Plate 307 Solved,” in Paper Money 
Whole No. 308.) 
I
The unique 
307 blue seal 
star, as it was 
when this 
author 
owned it. 
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While they can’t be collected in a tangible way, the 
growing array of digital currencies and other “tokenized” 
artefacts that populate our online world are still relevant for 
the appreciation of physical paper money. From time to 
time in this column I have considered the growth and 
significance of cryptocurrencies, not because I have some 
special insight that isn’t available elsewhere (the expert 
literature is enormous) but for a gut feeling that, if you 
collect paper money then you must have some interest in 
the directions that the form and nature of money are taking. 
Most recently, public focus has turned to digital 
products called “stablecoins”, thanks to Congress’s recent 
passage of the GENIUS Act, which creates a regulatory 
basis for their use. Stablecoins comprise a class of digital 
assets which, unlike cryptocurrencies (Bitcoin, Ethereum) 
are designed to maintain a fixed value relative to some 
other asset, typically a government-issued currency like the 
U.S. dollar. 
As with any digital innovation, it’s always useful to 
ask, what problems do stablecoins solve that weren’t being 
adequately addressed? Part of the answer involves the 
shortcomings of cryptocurrencies themselves. Assuming 
that private alternatives for government-issued money are 
desirable at all, Bitcoin and its ilk fall short. Their volatility 
impedes their use as means of payment (if financing crime, 
money laundering, or extortion is your thing, then Bitcoin 
works perfectly fine). What stablecoins promise to provide 
is a stable unit of value that can be transferred, peer-to-
peer, outside of existing payments circuits dominated by 
banks, credit card issuers, and the like—all of whom take 
their fat cut. Another promise of stablecoins is that their 
presence would make cryptocurrencies themselves more 
liquid. Instead of cashing out Bitcoin balances into non-
digital dollars, transactors could seamlessly shift from one 
digital asset in their wallets to another, completely 
independent of the existing financial system.  
Stablecoins would work like digital versions of 
money-market mutual funds. Those plain vanilla 
investment vehicles allow an investor (me) to park funds in 
a portfolio of short-term securities which is designed to 
keep the value of each share at $1. Within limits, I can then 
write checks against my holdings, treating them like cash. 
Stablecoins would provide me the same service with the 
difference that, instead of cashing out mutual fund shares 
each time I made a payment, the use of stablecoins would 
“tokenize” such transactions, meaning that I would simply 
transmit my shares directly to someone else without 
affecting the underlying portfolio that backed the shares’ 
par value. 
Stablecoins promise to be more than just digitized 
mutual funds, though. Both their supporters and detractors 
make the same historical comparison between stablecoins 
and the monetary practices of 19th century United States. 
As all collectors know, antebellum banknotes (“obsoletes”) 
were issued by private banks and lacked legal tender status. 
Regulated by individual states, which typically required 
some kind of bond backing to be deposited as collateral, 
paper money of the “free banking” era was as good or bad 
as the banks that issued it. The currency of New York 
banks was valued at par with metallic specie money, 
whereas the issues of sketchier banks (in Wisconsin, say) 
traded at a discount. While there was much 
hyperventilating about “wildcat banking”, the main cause 
of variation in banknote values was the quality of states’ 
regulatory frameworks, especially with respect to what 
bonds were eligible collateral. 
The currency of the national banking era (1863-1935) 
retained the bond-backing arrangement but standardized it. 
Nationally chartered banks with circulation privileges 
issued banknotes against federal debt which, thanks to the 
full faith and credit of the United States, rendered the 
currency emissions of the thousands of national banks 
virtually interchangeable. Bank-issued money was thus 
turned into a riskless asset; though many national banks did 
fail over the years, none of their banknotes ever lost value. 
As envisioned, stablecoins would establish a 21st 
century, digital version of those older bond-backed 
currencies. Collateralized by approved portfolios, 
stablecoins would trade on blockchain networks outside of 
the banking system. Beyond the cost and efficiency gains, 
stablecoins if done right would represent an entirely new 
category of low-risk, liquid financial assets. Used at 
sufficient scale they would have implications for the 
conduct of monetary policy itself. Stablecoins would make 
the biggest difference in those parts of the world where 
money’s value is doubtful, financial institutions unreliable, 
and governments rapacious. 
Stablecoin skeptics point to the antebellum experience 
as a cautionary tale. Invariably, they warn, a digital space 
already rife with scammers will generate its own version of 
wildcat banking.  Supporters prefer an alternative narrative 
more along the lines of the national banking experience. 
For libertarians, stablecoins represent a decisive step 
towards their ideal of competing private currencies. For 
better or worse, the stablecoin era is at hand. It will be a big 
deal. 
Chump Change 
  Loren Gatch 
Stablecoins:  
What’s to Know? 
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In my last column, I gave a brief 
introduction to world paper money, including my 
own journey into this fascinating collecting field. 
This time, we will take a further look at what 
makes world paper money so interesting. You 
will be surprised not only by how colorful 
modern world paper money can be, but also by 
what new security features have been 
implemented recently, and the stark contrast with 
United States paper money. 
As most readers will know, after small-
size currency was introduced in the United States 
in 1929, the designs remained pretty much the 
same for the next six decades. Even today, despite 
the introduction of new designs, the same 
presidents who appeared on paper money in 1929 
are still found on the currency in our wallets. We 
don’t have to look far to see that this is unusual. 
In Canada, for example, the Bank of Canada has 
been responsible for that nation’s currency since 
1935. Over the last 90 years, there have been 
seven distinct designs of the Canadian currency.  
There are several reasons why Canada, 
and most of the world, frequently changes its 
currency. Let’s take a look at the different 
iterations of the Canadian $5 note. The 1935 
series of the Bank of Canada was a bilingual 
series, with notes issued in English and French, 
both with identical designs (the $5 shows the 
portrait of Edward, Prince of Wales). Then, in 
1937, it was decided to issue a single bilingual 
series, with all denominations showing the 
portrait of King George VI. When he passed his 
daughter, Queen Elizabeth II, replaced him on 
Canada’s notes. In 1972, a new series was 
introduced, with Canadian themes, as the country 
sought to introduce more local scenes on its 
currency. 
Six of the seven different Canadian $5s issued since 1935.
All images courtesy of Stack's Bowers Galleries
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In 1986, this series was replaced with the 
"Bird Series", featuring native Canadian birds on 
the back. A new currency series came in the early 
2000s, with the backs now showing different 
scenes from across Canada. The $5 of that series 
is perhaps the most Canadian note ever printed, 
as it shows various winter sports, including 
hockey. Each of these new banknote series 
introduced new security features, which is 
typically the primary reason new notes were 
released. As technology advanced and home 
copiers became more capable, new security 
features, such as microprinting, complex color 
patterns, and other secret elements, were 
introduced to prevent counterfeiting. 
Perhaps the most significant change in 
Canadian paper money came in 2011, when the 
country switched from (cotton-based) paper to 
polymer plastics. Polymer banknotes are made 
from a thin, durable plastic film rather than 
traditional cotton-based paper, offering greater 
resistance to wear, moisture, and tearing. On 
average, a polymer banknote lasts two to four 
times longer in circulation, resulting in cost 
savings and less waste. First adopted elsewhere in 
the late 20th century (the earliest experiments 
with ‘plastic’ currency took place in the 1970s, 
although the first true polymer note wasn’t issued 
until 1988 in Australia), they also enable 
advanced security features, such as transparent 
windows and holographic elements, which 
significantly increase the difficulty of 
counterfeiting. 
Polymer banknotes have often been 
called ‘the future’ of paper money, although it is 
up to debate whether a polymer note can even be 
classified as paper money (but that is perhaps a 
subject for a future column). However, new 
features are also used on more traditional paper 
money. At the same time, some countries have 
used hidden design elements to showcase the new 
notes. For example, Switzerland created an 
augmented reality app for its latest series of 
banknotes (which are hybrid notes, printed on 
traditional paper but with a see-through polymer 
window in the shape of a Swiss cross). Anyone 
who has one of the notes in the series and the app 
installed on their phone can make them come to 
life. It also informs you about various security 
features found on the notes (although some have 
undoubtedly never been made public). If you 
have one of these Swiss notes, try it for 
yourself…it is really neat!  
These current Swiss notes come to life when scanned with a 
special mobile application. 
Of course, updated security features and 
new designs are not the only reasons that a 
country changes its currency. In some regions of 
the world, governments frequently withdraw old 
notes, often with a limited window to exchange 
them. Those that are not exchanged lose all their 
spending power, resulting in a handsome profit 
for the government. In fact, the validity of 
virtually all paper money issued in the United 
States since 1862 is highly unusual. All of this has 
led to a fascinating array of world paper money. 
As I mentioned in the last column, I hope this 
blog will entice you to take a look, as you might 
be surprised by what is out there.   
About the Author: Dennis Hengeveld is 
Director of Consignments & Senior Numismatist 
at Stack’s Bowers Galleries. He can be reached at 
dennis@stacksbowers.com. 
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   Metals have gone to the moon and are now 
quickly moving on their way towards Mars! 
At the time of this writing, silver has 
surpassed $50 and gold is approaching $4200 
wow!!! While this fever may be short-lived, 
only time will tell and this column is not the 
place to give you advice on shiny clunky bars 
that can be used as makeshift doorstops! They 
say Bitcoin has made a plunging correction 
which is hilarious since it remains above 
$100K per magical digital widget and at this 
same time just five short years ago, they were 
barely fetching $10K each. So, what does the  
future hold, are we now destined for an 
upcoming crash of some sort, the likes of 
which have not been seen since the 1980’s???  
…remember, this is not the place for us to
forecast these volatile market sectors! Instead,  
here in this venue we talk about fabulous 
collectible paper money currency!  
   Were you active in the recent Heritage Fall 
Auction? What was once the epic annual 
Long Beach Expo Fall Auction, has now been 
reimagined into the GACC sale. Yes, the 
Long Beach Expo is still just a myth, a fallen 
 by Robert Calderman
Awakening Sleeping Giants
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by the wayside memory of what once was. 
Will it ever become a reality again? There 
have not been many rumors lately, in fact 
even the murmurs along bourse floors over 
the past few months have barely been 
audible! Regardless, the sale must go on and 
this recent auction was full of exciting action. 
Results were definitely mixed depending on 
what you may have set your sights on. The 
Nationals category had deals a plenty and 
large size seemed rather robust overall. While 
the deals that seemingly fell through the 
cracks were definitely present in quantity, we 
only have so much real estate here to 
highlight a paltry few. 
   One standout for my eyes was an incredibly 
gorgeous rarity, a 1934 North Africa $10 B-A 
block Silver Certificate graded 65EPQ by 
PMG. This lot featuring serial number 
B07560554A brought what at first glance 
might appear to be an impressive $10,800. 
Sure, this is a large sum of money for the 
casual collector, but is this a new record price 
realization, or is it instead the absolute deal of 
the decade? Looking backwards in our crystal 
ball we can peek back to the year 2016 and 
we find this exact same note that sold then for 
the impressive sum of $25,850 at the January 
Heritage FUN sale. Then if we peer through 
the fog and continue our journey even further 
into the past, all the way back to the year 
2002, we once again find this same beautiful 
Gem note, now selling raw in all its glory 
without third part certification. This time 
bringing an  absolutely astounding amount of 
$41,400!!! So, what is the moral of this short 
story? The recent 2025 buyer saved a massive 
$30,600 vs. the 2002 auction winner. Even 
with today’s overwhelming inflation, $30K is 
enough to purchase a brand new 2026 model 
Toyota Corolla!!! So are we teaching a lesson 
here today, to avoid purchasing high end 
North Africa emergency currency issue notes 
for your long term holdings as they may very 
well become detrimental to your wallet? No 
of course this is not at all the intention here! 
The joy of collecting can easily veer into the 
past with little effort, and yet the future will 
forever remain an unknown mystery. We can 
only guess at which categories within our 
hobby will take off and become outrageously 
popular and what others will instead flop into 
the financial crash and burn, fall of the cliff 
downward chart. 
   So, was this recent acquisition for one lucky 
collector a poor purchase? Let’s take a look at 
this variety in more detail. 1934 North Africa 
$10’s make up an absolutely minuscule 
portion of the population vs. their 1934A 
counterparts. Incredibly PMG alone has 
graded only 63 examples in all grades for the 
1934 Fr.2308 variety vs. nearly 3,600 of the 
1934A Fr.2309 notes! This makes the first 
series survivors tally in at less that 2% of the 
overall population! That is an absolutely 
incredible disparity between the two catalog 
numbers! What is even more notable is the 
fact that these 1934 Fr.2308 rarities are 
actually broken up into two separate blocks, 
A-A and B-A. The A-A block is the most 
available with forty-seven examples graded 
by PMG and the much tougher B-A block is 
found with only nineteen notes holdered in all 
grades combined. In uncirculated grades there 
is a flip flop occurrence where the A-A block 
is actually much scarcer to find in 
uncirculated condition. PMG has observed a 
total of only three examples across their desk: 
(1) 63 noQ, (1) 63EPQ, and (1) 64 noQ.  For 
the B-A block, a small handful of Gems were 
unearthed many years ago that fall into the 
same serial number range. They grade at 
PMG as follows: (1) 64 noQ, (3) 64EPQ, (3) 
65EPQ, (3) 66EPQ.  
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   Overtime, as population numbers increase 
and the frequency of examples come to 
market, often conditions can become ripe for 
rare opportunities! This is one reason to 
speculate as to why the recent offering at the 
October Heritage auction fell flat and gave a 
massive gift to one lucky collector. Will 
prices stay soft for this variety in the future? 
Will the next offering of a Gem Fr.2308 note 
bring significantly less than this most recent 
example? It is hard to predict what the future 
holds, but I would say as a savvy collector 
you should keep your eyes peeled for a 
similar opportunity to appear sooner than 
later! While the next deal may not be for this 
same Fr.#, careful study may land you a 
similar steal of a deal! Just because an 
incredible bargain is had by a lucky buyer, 
does not mean the treasured collectible note is 
less desirable and coveted by our specialized 
fraternity. In contrast, the bragging rights for 
such a massive victory can be wholeheartedly 
celebrated, especially once the time finally 
comes for a future auction example to again 
reach stratospheric record heights!  However, 
for now at least, this giant small size rarity 
can rest easy as it clearly appears to be 
sleeping… 
  Do you have a great Cherry Pick story that 
you’d like to share? Your note might be featured 
here in a future article, and you can remain 
anonymous if desired! Email scans of your note 
with a brief description of what you paid and 
where it was found to: gacoins@earthlink.net
SPMC.org * Paper Money * Nov/Dec 2025 * Whole Number 360
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The front of the Type-39 Treasury note endorsed by Capt. T. A. Burke, AQM.
 Image: Michael McDonald 
 
Capt. Thomas A. Burke, AQM 
54th Georgia Infantry 
n this edition of the Quartermaster Column we 
will explore some of the issues we face when we 
explore National Archives files on the website 
Fold3.com. This website is owned by Ancestry.com 
and it has made the positive identification of 
hundreds of endorsements possible. Without the 
access this website provides, we would still be 
making educated guesses when we try to decipher the 
endorsements of military officers and government 
agents on Confederate interest-bearing treasury notes. 
When we find the correct file for a military 
officer, agent, or a civilian, we can compare the 
endorsement on a treasury note to the signatures on 
original documents. But it is not uncommon to find 
that the wonderful souls in the National Archives in 
the very early 20th century made mistakes in the 
interpretations of the spelling of names, and they 
sometimes placed documents in files with 
erroneously spelled titles. The illustrated treasury 
note was very clearly endorsed by Capt. T. A. Burke, 
AQM, and he is easily found as “Burke” with the 
Fold3.com search engine, but his endorsement 
provides a wonderful example of the confusion that 
can be observed. His first initial “T” is very often 
misinterpreted as a “J,” both by modern collectors 
and by those who created the file names in the 
National Archives. In Fold3.com we can search on 
the surname “Burke” to see all of the files with that 
surname, it will show a file for James A. Burke. This 
file has a document which correctly directs the 
researcher to Thomas A. Burke. 
 We sometimes see only initials which are 
accompanied with a rank and title, e.g., “Capt. & 
AQM,” and we know we have an officer. We can use 
Arthur Wyllie’s monumental List of Confederate 
Officers to find the alphabetical section with names 
of officers which match the last initial, and then look 
for matches of the first and middle initials within that 
section.1 This is tedious, but it has successfully 
identified the officers who signed only with their 
initials. We can also enter the initials in the Fold3 
search engine, and it occasionally finds the officer. 
The endorsement on the back of the illustrated 
note features a “BID” or “Black Issue Date” stamp. 
Dr. Enrico Aidala, a past commander of the 
Trainmen and a practicing physician in Italy, 
researched this date stamp and found that it was used 
by many officers stationed in the region of Savannah, 
Georgia. His meticulous research was published in 
this journal in the July/August 2020 edition.2 The 
date stamp apparently made it more efficient to issue 
these notes, obviating the need to write out the date. 
Astute collectors will notice that early examples of 
I 
The Quartermaster Column No. 45
by Michael McNeil
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We see the signature of Capt. & AQM “T. A. Burke” at top, 
signed at Beaulieu, Georgia on March 31st, 1863. At bottom we 
see the signature of Lt. and Ordnance Officer “Thos. A. 
Burke,” a different officer with the same name.       
images: Fold3.com 
Endorsement of T. A Burke in blue ink on serial 25423, plen Ae. 
The date of issue of August 8th, 1862 precedes the “BID” 
stamp. The issue date and Burke’s rank and title of “Capt & 
A.Q.M.” are written in the very different hand of a clerk in 
brown ink in a likely effort to save time for the Quartermaster. 
Note the Interest Paid stamp at Savannah. 
     Image courtesy of Heritage Auctions, HA.com. 
Burke’s endorsements have hand-written dates of 
issue, and most of these appear in the different hand 
of a clerk, evidence that the issuing officer was trying 
to save time. We see examples of both styles in the 
following images: 
 
 
 
 
 
 
Not only do we find two files for Burke, one 
with a misinterpretation of his first name, there is 
also confusion in the correct file for T. A. Burke, 
where we find 133 documents for two different 
officers with the same name of Thomas A. Burke, 
one of them a Captain & Quartermaster and the other 
a 1st Lieutenant & Ordnance Officer. These very 
different officers served in different units and places.  
 
 
 
Their signatures are, at first glance, similar 
and both appear to be left-handed, but on closer 
inspection we see important differences. In the image 
above, we see the signature at top of “T. A. Burke/ 
Captain & AQM,” and at the bottom we see the 
signature of “Thos. A. Burke/ Lt. and Ordnance 
Officer.” Stylistic differences will be obvious on 
close examination, e.g., in the capital letters of “T” 
and “B.” The ordnance officer consistently used the 
form of “Thos.” while the quartermaster consistently 
used the single initial “T.” Hand-written career 
summaries are found for both officers in this file.3   
Thomas A. Burke (data researched with assistance 
from  Charles Derby) 
Thomas A. Burke was born on October 1st, 1828 
in Macon, Georgia, to Richard E. Burke and Mary 
Rowan (Elliot) Burke. The Southern Literary 
Gazette (Athens, Georgia) of February 24th, 1849 
noted that Burke was one of their traveling agents. 
The January 6th, 1849 issue of the Southern Litrerary 
Gazette noted that Thomas A. Burke and his brother, 
John W. Burke, were editors of a new monthly, The 
Mistletoe, “devoted to the advocacy of the Order of 
the Sons of Temperance.” Burke married Eliza 
Battey Falligant on December 3rd, 1861, and they had 
a son and a daughter.4  The Georgia Journal and 
Messenger of September 25th, 1861, noted that Burke 
was an associate editor of the Savannah Morning 
Note the “BID” or “Black Issue Date” stamp used by 
Quartermasters in the region of Savannah, Georgia. Blue ink 
is common for Burke. This is the endorsement on the back of 
the imaged T-39 note. 
  Image:  Michael McDonald 
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Area of Savannah, Georgia, showing the location of Beaulieu (pronounced “Bewly,” a corruption of the original French).    
Image courtesy of Dr. Enrico Aidala, from the U. S. War Department, Map of Portions of Georgia and South Carolina, 1865. 
News and that he had been assigned as Quartermaster 
of the new brigade raised by the State of Georgia. 
1862 
There are 17 documents for T. A. Burke in the 
files for the state of Georgia, 54th Infantry. Burke was 
appointed as a Captain & AQM on July 16th, taking 
rank from April 30th, and reporting to the 54th 
Georgia Infantry. This unit was initially involved in 
the Charleston, South Carolina, area in late 1862, 
and; the research by Aidala provides more detail. The 
unit became a part of the Army of Tennessee, first 
participating in the Atlanta campaign and later 
participating in Gen’l Hood’s Tennessee operations. 
Unit returns note that Burke was stationed in 
Savannah, Georgia on July 2nd and stationed in 
Beaulieu, Georgia in August through December (this 
is the timeframe when the illustrated endorsement 
was dated). To get some idea of his duties, we see 
orders on October 31st to proceed to Atlanta, Georgia, 
to procure 150 tents for the troops and 30 tents for the 
officers of the 54th Georgia Infantry. On November 
8th Burke received $58.00 at Savannah for the 
mileage on this trip at ten cents per mile. 
1863 
Burke appears on a list of “Quartermasters and 
Acting Assistant Quartermasters on duty in Military 
District of Georgia, having field transportation in 
charge,” and he still appears in the rolls of the 54th 
Georgia Infantry. Burke was promoted to Major & 
QM on August 19th, taking rank from August 1st, and 
reporting to Gen’l Tagliaferro (pronounced 
“Tolliver”). His promotion was confirmed by 
Congress on February 17th, 1864.  
1864 
A return of the Seventh Military District of 
South Carolina noted that Burke was assigned as a 
Quartermaster stationed at Crofts House, St. 
Andrews, South Carolina (north and adjacent to 
Columbia). On September 1st Burke was reported 
absent and sick in Savannah, Georgia. After six 
weeks of illness, Burke requested an assignment to a 
post at Quitman, Georgia, explaining that he was no 
longer fit for field service. The 54th Georgia Infantry 
was involved in the Battle of Atlanta, and Atlanta fell 
on September 2nd.  
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1865 
A letter from Burke dated January 12th shows 
that he was stationed at Charleston, South Carolina, 
and this is the last military record of him. In this 
letter Burke explains that he had contracted typhoid 
fever which kept him “confined to his bed from 
September 5th.” He was fortunate to have survived. 
After the war 
In 1865 Burke made his home in Macon, 
Georgia, where, as a partner in the firm of Messrs. J. 
W. Burke & Co., and one of the editors of the 
Weekly, he continued the business for about six 
years, and afterwards returned to Athens, Georgia. 
Burke was a vestryman of Christ Church in Athens 
and a superintendent of its Sunday schools. The 
January 23rd, 1880 issue of The Weekly Sumter 
Republican in Americus, Georgia, noted that he was 
the Grand Treasurer of the Order of Odd Fellows and 
a member of the Masonic Fraternity. Burke died on 
January 16th, 1880, in Athens, Georgia, and was 
buried in Oconee Hill Cemetery. Burke’s last illness 
was a severe recurrence of typhoid fever, the illness 
he contracted during the Civil War.   
Reflections from history’s distant mirror 
We have Raphael Thian to thank for the 
preservation of the Confederate documents we see 
today in the National Archives. Thian was the 
founder of the AGO, Adjutant General’s Office, in 
Washington, D.C., and with a staff funded by 
Congress he transcribed the correspondence of the 
Confederate Treasury Department. The appendix to 
this 5,000-page labor is a transcription of the original 
Registers of the Confederate Debt, a listing of all of 
the serial number blocks of treasury notes and their 
signers, which were hand-signed on nearly all of the 
issued notes.  
This appendix was reprinted in 1972 by Dr. 
Douglas Ball, and it is a bible for collectors of these 
notes.5 Mark Coughlan, a researcher in London, has 
entered all of the information in this appendix into a 
database (the 1880 typeface is not readable by 
Optical Character Recognition, and Coughlan 
laboriously entered all of this by hand into his 
database). Using online images of notes he has 
reconstructed about 70% of the data missing in the 
Seventh Issue from late 1864 to the end of operations 
in February 1865. The Third Issue is a nightmare of 
complexity, and Coughlan has sorted this out. 
Thian’s transcriptions of the original hand-written 
Registers are known to contain many errors, and 
Coughlan is using images of notes to correct the 
entire data set. In the process, he has made some 
surprising discoveries, some of which we have 
already seen Paper Money articles.  
I used this edition of the Quartermaster Column 
to show some of the issues we face when using 
online sources of original documents to identify the 
authors of Confederate treasury note endorsements. 
With time and collaboration we eventually get most 
of this right.  
 Carpe diem 
“Those who do not remember the past are 
condemned to repeat it.” ― George Santayana, 1906
References: 
1. Arthur Wyllie, Confederate Officers, self-published, 2007, 580 pages. Out of print.
2. Dr. Enrico Aidala, A Black Issued Date Stamp on Confederate Currency, Paper Money, July/August 2020, pages 274 to 293.
3. Michael McNeil, Confederate Quartermasters, Commissaries, and Agents, published by Pierre Fricke, 2016, 908 pages, see pages 147 to
149 for more examples of Burke’s signature and an image of Maj. Thomas A. Burke’s hand-written career summary in the National
Archives files for Confederate Officers.
4. ancestors.familysearch.org/en/KC6V-TSB/maj.-thomas-a-burke-1828-1880.
5. Raphael Thian, Register of the Confederate Debt, edited by Dr. Douglas Ball, Quarterman Publications, Lincoln, Massachussetts, 1972,
190 pages. 
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Free or Nominal Rate Outside County Copies 0 0included on PS Form 3541
(2)
Free or Nominal Rate ln-County Copies included on 0 0NominalRateDistribution(£nydMalNOutsidetheMail) PS Form 3541
(3)
Free or Nominal Rate Copies Mailed at Other Classes 0 0Through the USPS /e.g. F/.rot-C/ass Ma/.//
(4)
Free or Nominal Rate Distribution Outside the Mail 12 5
(Carriers or other means)
e.  Total Free or Nominal Rate Distribution /Sum Of 75d /t/, (2J, r3), /4J/ 12 5
f.   Total Distribution /Stim of 75c and 75e/ 864 835
9. Copies not Distributed 0 0
h. Tctat (Sum of 15f and 15g) 864 835
•i.  Pereeut Paid ((15c / 150 times 100)
98.61  % 99.40 %
16.  If total circulation includes electronic copies, report that circulationOn
lines below.
|17.PublicationofstatementofownershipXlfthepublicationjsageneralpublication,publicationOfthisstatementisrequired.Willbeprintedinthell/01/2025issueofthispublication.
18. Signature and Title of Editor, Publisher, Business Manager, or OwnerTitle Date
Benny Bolin Pub/Editor 09/22/2025 11 :38:00 AM
ihi:#hoart£'|;n:0+#sati°ant:¥i;|]Spfndfo°#taht!iso:°rELsetsT#ndt£:Topi:tern:yuB8esr
stand that anyone who furnishesubjecttocriminalsanctions(inclu
:#gefi°nreTjasie#pgri%:#eant{)°:n°dn/or
civil sanctions (including civil penalties).
PS Fom 3526, September 2007 fpage 2/ PRIVACY NOTICE: See our privacy policy on www.I/sps.com
SPMC.org * Paper Money * Nov/Dec 2025 * Whole Number 360
395
OUR MEMBERS SPECIALIZE IN
LARGE SIZE TYPE NOTES
They also specialize in National Currency, Small Size Currency,
Obsolete Currency, Colonial and Continental Currency, Fractionals,
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and numerous other areas.
THE PROFESSIONAL CURRENCY DEALERS ASSOCIATION
is the leading organization of Dealers in Currency,
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For further information, please contact:
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•	 Holds its annual National Currency Convention in conjunction with the Central States Numis-
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•	 Encourages public awareness and education regarding the hobby of Paper Money Collecting.
•	 Sponsors the John Hickman National Currency Exhibit Award each year, as well as Paper Money 	
	 classes and scholarships at the A.N.A.’s Summer Seminar series.
•	 Publishes several “How to Collect” booklets regarding currency and related paper items. Availability 	
	 of these booklets can be found on our Web Site.
•	 Is a proud supporter of the Society of Paper Money Collectors.
Or Visit Our Web Site At: www.pcda.com
Susan Bremer – Secretary
16 Regents Park    •    Bedford, TX  76022
(214) 409-1830    •    email: susanb@ha.com
Paul R. Minshull #16591. BP 20%; see HA.com   79464
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Fr. 230 $1 1899 Silver Certificate 
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Fr. 524 CH# 4132 The First National Bank 
PMG Very Fine 25
        
      

